A Quote by Mia Kirshner
Bursts of gold on lavender melting into saffron. It's the time of day when the sky looks like it has been spray-painted by a graffiti artist.
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Every time I walk by a spy shop, I think that I need to put some surveillance on somebody. Rick's been acting fishy! I need to buy a safe that looks like a Spray 'N Wash can. "Hey, Mitch, can I use the Spray 'N Wash?" "Yeah, if you want to spray your shirt with documents!"
I'm a painter. I was a graffiti artist, and I painted all over the world.
My treasure chest is filled with gold.
Gold . . . gold . . . gold . . .
Vagabond's gold and drifter's gold . . .
Worthless, priceless, dreamer's gold . . .
Gold of the sunset . . . gold of the dawn . . .Gold of the showertrees on my lawn . . .
Poet's gold and artist's gold . . .
Gold that can not be bought or sold -
Gold.
Traditional graffiti writers have a bunch of rules they like to stick to, and good luck to them, but I didn't become a graffiti artist so I could have somebody else tell me what to do. If you're the type who gets sentimental about people scribbling over your stuff, I suggest graffiti is probably not the right hobby for you.
The newspaper is under fire for refusing to kowtow to left-wing word police and militant propagandists who demand unfettered illegal immigration. Last week, in the wake of angry protests against the publication, vandals threw paint bombs and spray-painted graffiti on its offices.
I used to spray tan a lot when I was a teenager. The last time I got spray-tanned was for the Golden Globes. And I was like, 'I love spray-tanning so much.' I still really like it. But it definitely makes me look like I have leprosy, after a point.
Oh yeah - you have to write every day. Or every weekday. Because writing is a job. It's not eureka moments over and over. It's grueling work, panning for gold. You just keep at it and eventually you get a few grains. Or flakes. Or whatever gold looks like in rivers. Or maybe it's like fishing. Who cares? You just have to do it every day because you never know which day is going to be your productive day.
Graffiti is a lot easier than the canvas actually, because it's such a large format, so when you're going to such a thin detail, it's not that thin in the realm of things because it's such a big wall. This would take a small paint brush of detail, but on a huge wall, if that's the size of a building, the thinnest detail is still that big, it's a quick spray. Spray paint is easiest for me. I love spray paint.
Olive's private view is that life depends on what she thinks of as "big bursts" and "little bursts." Big bursts are things like marriage or children, intimacies that keep you afloat, but these big bursts hold dangerous, unseen currents. Which is why you need the little bursts as well: a friendly clerk at Bradlee's, let's say, or the waitress at Dunkin' Donuts who knows how you like your coffee. Tricky business, really.
My graffiti really comes more from a May '68, sort of Situationist vibe than the hip-hop world. I think a real graffiti artist would find me a poser.
Just look at the back of Donald Trump's head, any angle. There's some angles that his chin is just, what do I mean? I mean he's sculpted out of some kind of pudding, I think. It looks like his face is sort of melting slowly. I should talk because my face is melting quickly. He's some kind of bizarre sculpture. There's no one really who looks like that.
I work as an artist, and I think the audience of one, which is the self, and I have to satisfy myself as an artist. So I always say that I write for the same people that Picasso painted for. I think he painted for himself.
With every product, the delta between the brand and the reality determines its power over the minds of consumers, and with Trump, that delta is always broad. If Trump said it was the best, it was average. If he said something was the finest, it typically included a spray-painted gold veneer.
You can go to places in Africa and Asia and find Marley graffiti. In the slums of Nairobi, you see his lyrics painted on walls, and you realise he has this almost religious significance to the underclass of the world. He's a guy born in a hut with no bed, and now he's probably the most listened-to artist in the world. It's fascinating.
We lavender folk spray up, spontaneously flowering in the color we had learned as an identifying mark of our culture when it was subterranean and secret.
Goldie has been around a lot longer than his gold teeth, than the golden locks. Not many people know me. He was a Rastafarian... They know Goldie the player, like my boys in Miami, or Goldie the graffiti writer, or Goldie the guy on the estate with the gold teeth, but nobody really knows that little boy from school, you know?
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