A Quote by Mia Maestro

When you choose to do a role, I think you can either be that person or have the potential of being that person. — © Mia Maestro
When you choose to do a role, I think you can either be that person or have the potential of being that person.
I think once a person realizes that they are every day either sowing into their life either potential success, or sowing into their life potential failure, they would all of a sudden go okay, I've got to figure out what I'm going to do.
I think every role you take on, you should take on the responsibility of doing the best representation of that person or that character or that role. When it is a human being that has actually existed, and it is a person that people know of, yeah, you feel an even more amount of pressure to do a good job.
A person is either himself or not himself; is either rooted in his existence or is a fabrication; has either found his humanhood or is still playing with masks and roles and status symbols. And nobody is more aware of this difference (although unconsciously) than a child. Only an authentic person can evoke a good response in the core of the other person; only person is resonant to person.
Because I think whenever you sit down with another human being who would absolutely disagree with you on every issue, you learn about them as a person and you relate, in human terms, and it's much more difficult for either side to dismiss out of hand, like that person's a freak, that person's a Nazi.
I think a lot of people try to edit themselves out and I think that's a big mistake, because the person being interviewed is responding to a person, and if you don't know who that person is then you don't really know what's going on with the person being interviewed.
It's not often that you get a chance in one role to do the glamour bit and then strip off all the makeup and reveal the real person beneath the façade. Usually, it's either a glamorous role or a raw, emotional role.
I think the actor has a tribal role as the archetypal story teller. I think there was a time when the storyteller, the priest, the healer, were all one person in one body. That person used to weave stories at night around a small fire to keep the tribe from being terrified that sun had gone down.
...a human being not only can choose but... he must choose... for in this way God retains His honor while at the same time has a fatherly concern for humankind. Though God has lowered Himself to being that which can be chosen, yet each person must on his part choose. God is not mocked. Therefore the matter stands thus: If a person avoids choosing, this is the same as the presumption of choosing the world.
This wasn't the person he'd thought he was, or would have chosen to be if he'd been free to choose, but there was something comforting and liberating about being an actual definite someone, rather than a collection of contradictory potential someones.
The person is a mystery. What I'm playing is the person so I really get to tell you and show you and communicate to you who I think the real person is and that real person is me. The most important thing is to play the human being you are creating, which is my job.
I got into film in an odd way - when I was 17 years old I participated in a Swedish film as an actor. I think every person at that age should get a role in a film, because during that time you want acceptance, and when you have a role in a film you become an important person. I think about that now, and that was my fantastic starting point.
Are you living up to your potential? God made you with potential - potential for greatness! If you do what you can do, and trust Him to do what you can't, you will grow into the person He gave you the potential to be!
Whenever I play a role, whether it's good or bad, an evil person or nice person, I believe in being a purist and going all the way with the role. If I'm going to be a villainous wrestler, I believe in going all the way with it and not breaking character and not giving away to the audience that I'm playing a role. I believe in playing it straight to the hilt.
You don't marry one person; you marry three: the person you think they are, the person they are, and the person they are going to become as the result of being.
Ask yourself: Does the action I am considering have any potential for dealing with the wrong and helping the relationship? And is it best for the person at whom I am angry? The two most constructive options are either to confront the person in a helpful way, or to consciously decide to overlook the matter.
Either you're a person who will be stopped, or you are a person who won't be stopped. You choose.
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