A Quote by Mia Moretti

Designing the prints was very much like writing a story with characters, [inspired by] some of my my favorite icons of the time: Eva Perón and Josephine Baker. — © Mia Moretti
Designing the prints was very much like writing a story with characters, [inspired by] some of my my favorite icons of the time: Eva Perón and Josephine Baker.
It was so strange. I knew that Josephine Baker had performed on the same stage but that night I felt it. Many of the same people who worked with Josephine Baker are still here. They know what they're doing. And that was a very comfortable feeling.
Josephine Baker is such an iconic woman that once you've touched her and she has touched you, it never goes away. I'm stuck with her. I'm sure 50 years from now, when they write my obituary, they will mention that I played Josephine Baker. It'll be on my epitaph.
One day, I'd like to tackle a biopic. I grew up very influenced by Josephine Baker, Billie Holiday, and Nina Simone.
I want to play Eva Peron. I've already done a lot of Shakespeare, but I'd like to do Lady Macbeth.
I want to live in Paris for a couple of years. I'm dying to do the Josephine Baker story. I really want to be there and do it. It's certainly my intention to do it.
My favorite scene that I ever filmed was singing "Don't Cry For Me Argentina" from the balcony of the Casa Rosada in Argentina [where the real Eva Peron once stood] during Evita. That was amazing. SO real and surreal. Bizarre.
The only queen I ever dressed was Eva Perón.
A lucky thing Eva Peron was. She died at 32. I'm already 45.
There are very few works of fiction that take you inside the heads of all characters. I tell my writing students that one of the most important questions to ask yourself when you begin writing a story is this: Whose story is it? You need to make a commitment to one or perhaps a few characters.
I love theater, a performance and designing a visual spectacle. It is like creating a composition with clothes, which have to fit the psychology as well as the body of characters. The performance is frozen in time, the clothes have to stay reliable and help to define the story. Fashion can be much more abstract. It needs no story because the woman is the story. She supplies the text and content. Fashion for retail is the opposite of frozen, it has to change and morph constantly to stay relevant - to be the "fashion.".
I enjoy looking at old photos of some of my favorite rock icons, but also get inspired from the younger bands that are coming up and really creating their own style, their own image.
When I'm about to start writing, I pull up some of my all-time-favorite re-reads to feel inspired and fall headfirst into the world of beautiful words.
I very much write from characters. Those people start speaking, and then I have them in the house with me and I live with them. Then at some point, it's time to get them out of the house. You can only live with someone like Dr. Georgeous Teitelbaum from THE SISTERS ROSENSWEIG for so long, and then it's time for her to go. But it is very like having the company of these people and trying to craft them in some way into a story.
Many people see Eva Peron as either a saint or the incarnation of Satan. That means I definitely can identify with her.
If a woman like Eva Peron with no ideals can get that far, think how far I can go with the ideals that I have.
What I'm doing now is having people with and around me to build what other designers built before - like Pierre Balmain with Josephine Baker, Audrey Hepburn, Dalida, Brigitte Bardot.
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