A Quote by Mia Wasikowska

I didn't shoot any guns then or when we did the scene with Uncle Charlie [Matthew Goode] and Evie [Nicole Kidman] in the hall. I sort of pressed the button but there were no blanks or anything in there because I think it was always going to cut.
The first person I ever really got starstruck over was Nicole Kidman, because I looked up to her. When I was younger, I wouldn't get parts because of how tall I was. I had the body of a 15-year-old but the face of a 12-year-old. I always looked at Nicole Kidman and thought, "Oh well, she works."
The first person I ever really got starstruck over was Nicole Kidman, because I looked up to her. When I was younger, I wouldn't get parts because of how tall I was. I had the body of a 15-year-old but the face of a 12-year-old. I always looked at Nicole Kidman and thought, 'Oh well, she works.'
I think you're sort of always waiting, wondering when the word "cut" is going to be said when you're doing a scene. Like you're there and you're doing the scene and you're always sort of like, ‘Okay. Are they going to call cut? How far are we taking this? Are they going to call cut?’
i remember we all cried like the Missouri when my Uncle Sol's coffin lurched because somebody pressed a button (and down went my uncle Sol and started a worm farm)
One day, you're talking with Tom Hardy; the next day, you have Nicole Kidman kissing your feet. I never thought I'd be able to say that in my lifetime, Nicole Kidman kissing my feet. It's mad.
I shot a movie with Nicole Kidman that I got cut out of - it was crap anyways.
We knew from the beginning the level of commitment needed. We felt honored to work with Stanley Kubrick. We were going to do what it took to do this picture, whatever time, because I felt - and Nic [Nicole Kidman] did, too - that this was going to be a really special time for us. We knew it would be difficult. But I would have absolutely kicked myself if I hadn`t done this.
I wish all guns had blanks, and that's all we shot out of guns, because then I'd recommend that everyone has as many guns as they can. Just wandering around with that big loud sound exploding, and the force of it, is a blast.
Any project that you shoot, it's never going to be completely finished the way that... I don't think I've ever worked on anything where every scene has been kept in the order that it was originally in, or that it hasn't been cut down in some way.
'Chasing Amy' was an amazing role, but then after that, I went and did 'Big Daddy' and you're the girlfriend or you're the best friend. I wasn't getting the Nicole Kidman roles.
When I met Elvis, we didn't really have a conversation. I was introduced by my uncle, and he sort of grunted my way. What stays with me is the whole scene. I had never seen a real mob scene before. I was really young and impressionable. Elvis really did look - he looked sort of not real, as if he were glowing.
I always thought the piano scene was kind of unique to shoot because we were actually able to film with the playback of the actual song. And that was quite amazing because it almost made it easier - music is usually something that is added after filming has finished so to be able to shoot a scene with music was really wonderful.
Everyone always says, 'Kristen got 'Panic Room' because she looks like Jodie Foster.' But it was actually Nicole Kidman who was supposed to play my mother.
In a very real sense, all you do when you're shooting film or television is you shoot a scene, and then you shoot another scene, and then you shoot another scene.
My husband didn't want me to wear any black hairstyles. Nicole Kidman was his standard of beauty.
I've always looked up to Nicole Kidman. I think she's an elegant and talented actress. You can tell how much she commits to her characters, and I admire that.
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