A Quote by Mia Wasikowska
Any time you get a role that's a young person, that resembles what it's like to be a teenager, I always kind of jump at it.
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It's really rare to get a teenage role that resembles something of what it's like to be a young person, that isn't a cliché or a stereotype.
It's really rare as a teenager to be offered a role that actually resembles what it's like to be a teenager, because there are so many stereotypes that might be attractive to watch, but make you think: 'Who is that? Who has that life at 16?'
I definitely feel like kids do look up to me as a potential role model. It's an honor, but it can also be a burden. I may be on TV, but I'm also a teenager. I don't get it right every time. But I always do my absolute best to stay above board in every way. My fans inspire me to be a better person.
For me to get a lead role in a real movie is something to jump at. It's not like I get to do that all of the time.
Ever since I was a teenager, I was always kind of, like, checking myself. You know, like, "Come on man, don't get your head all swollen. Life and time itself will give you perspective on what you're doing." So, that's actually what's always been a reminder in my own head.
I've never been a heavy practitioner of the method or, at least, with any specific intent; I'm kind of an impulse-based person. Like, I'm sort of waiting for something to happen that I'm not expecting, and I kind of want to jump on that train of emotion, whatever it is, both from myself or from the other actor.
Every time I work with a European director, I find they hire the person that captures the spirit of the role. Americans tend to hire the best face. The person that looks more like the role, whether they can perform the role or not is a bonus.
Movies make teenagers have quippy answers for every question. Nothing seems to faze them, and they're like, 'Oh, whatever.' You're not like that when you're a teenager. You're really earnest. Things really feel like life or death. And you kind of oscillate between emotions at one time. It's very emotionally draining being a teenager.
When I was a kid, I would do stupid things on my bike. I'd jump any ramp, I'd jump over people, I'd jump over things - always crashing, never hurting myself badly but always wanting to take physical risks.
I try not to get typecast in any role, any image. I feel I can do justice to every kind of role, so why not make the best of it? See, commercial films alone can get you only so far. If you want to last as an actress, then you have to put in that extra bit of investment by doing off-beat films, too.
I was a kind of angsty teenager and I would write diaries and write stuff down all the time. Sometimes I get to the level on stage where I'm singing and it feels heavy, but not always.
I think that the ideal of young womanhood as it's seen in pop culture specifically is a really kind of vapid, conceited, concerned with money and looks kind of thing that you'll see in a lot of reality shows. And I think that's really damaging, not just because it's a terrible role model to put forth, but that it also puts across this idea to the American public that this is what young women are like, that this is what all young women in America are like.
I was just like a 21st century person waiting to be born, and this is the medium that I thrive in. And I feel stronger now than I did any time since I've been a teenager - I mean, musically, creatively.
I have always been pretty flexible. I could always jump and do all kinds of dangerous movements. In opera, I like to do it because it's fun, as long as it fits the role.
I've always known that I wanted to be an actor. My family kind of was a theatrically inclined family. My father came to New York when he was a young man to be an actor and he, over a course, was in a couple Broadway musicals. I grew up in family where theater was always part of the vocabulary. By the time I was a teenager I was just totally obsessed, and it was the only thing I could imagine myself doing.
I wish I could say I had some sort of master plan where one role leads to the next role, but a lot of it really is persistence and luck and being prepared when you are asked to jump on a project. There isn't any one rule that I follow. Obviously, I'll always shoot to work with the best actors, directors and filmmakers. I've been incredibly lucky to be able to do that.
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