A Quote by Mia Wasikowska

With dance, you learn to channel nerves into energy, excited energy. It's sort of similar when you walk into an audition room, to be able to go takes deep breath and then go in real calm. It was in those ways that it really helped me.
With dance, you learn to channel nerves into energy, excited energy.
What I walk on is not the energy of youth, it is a better energy. I walk on the endless energy of inner peace that never runs out! When you become a channel through which God works there are no more limitations, because God does the work through you: you are the instrument - and what God can do is unlimited. When you are working for God you do not find yourself striving and straining. You find yourself calm, serene and unhurried.
Our experience of love is more of a measure of whether we're connected with the universal source of this energy. In other words, there's some life energy that we have and sort of share with people we might be relating to that takes place, that operates whether we're sort of feeling in a state of love or not. But love is the measure of whether we're really connected with the internal source of this energy where we can consciously sort of fill up and amplify the amount of energy that we're able to take in from the inside.
You have to go really dark and deep with yourself and get your hands dirty and go into territories that you don't want to go into and feel things that you don't want to feel, but that's what ultimately pushes out the good and gives you some kind of a message that you can take and channel into something better. That energy's really powerful.
I think that dancing has helped or prepared me, in a number of different ways, for the film industry, especially with controlling your nerves when you walk into an audition because you're on stage from a young age.
Ballet has really helped me in every acting role. You have to be very disciplined, you have to be able to control your nerves and perform under pressure, and all those things you have to use in acting when you're on film or going for an audition.
As a mother, anyone who has a teenager can attest to being really excited when they have something positive to be putting their energy into. They have so much energy, and it can go in the wrong direction.
I have a lot of energy, and as you get to know me, you will quickly learn that! I channel my energy into my acting, my writing, everything.
Sometimes you go into a waiting room, and the audition room is right there, and the walls are extremely thin. And you can hear every breath that they're saying. And you're used to that. So you go in, and you're like, 'Oh, whatever.'
When you audition for shows in Hollywood, you go in, you do your scene, maybe you get an adjustment. It's sort of easy, and a lot of times it just feels sort of rote and simple. Whereas when you go to New York and you audition for plays, you walk out sweaty and intimidated and nervous and doubting yourself as an actor.
In a live environment, the more bodies you put in a room, the more energy there will be. That's a real big payoff. That's really important, the live show, it's a big cycle of energy. If the audience is boring, it's tough to get excited about it.
The energy between all the girls - we were hysterical together. That energy could go really bad and it could be so hateful and horrible, and then it could go really good and we'd write really good songs.
You have to be dynamic. You have to be able to change. So a lot of times we'll go to a country or go meet people, and then while we're there, the story changes and you have to be able to go with that. And then the story comes out in the editing room, which is a very documentary sort of process - not how news works. So that's different.
The act of surrendering sort of puts me in a different mindset that allows me to be more of a channel - because I'm not holding on so tightly to things, I'm letting go, and I find that in letting go I become more of a channel for life to really happen on life's terms. I mean, maybe that sounds sort of metaphysical, but that's honestly how I feel.
It's dangerous to get calm. You need some nerves to work from, it's good energy. It's not good to have no nerves. You'd fall asleep on stage.
Doing a musical is not just acting. It's total theater. When you have to justify the enormous projection of energy it takes to just go into song and dance, you realized why it's such a humbling experience every time you go into a show.
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