A Quote by Mia Wasikowska

The independent films are really where I kind of come from and where I feel comfortable. — © Mia Wasikowska
The independent films are really where I kind of come from and where I feel comfortable.
The independent films are really where I kind of come from and where I feel comfortable. It's never been about the blockbusters and making a huge tonne of money. It's always been about wanting to do projects about the things that I think are important to be out there.
This is not the kind of country where you would feel comfortable if you were opposed to democracy, parliamentary law, independent courts and so I would say to people who don't feel comfortable with those values there might be other countries where they'd feel more comfortable with their own values or beliefs.
Going forward, I would love to work with directors like Rian Johnson and Joss Whedon; people like that who are doing big films but do have really independent voices. That's kind of what I want to focus on, is always working with people with at least an independent point of view, even if it's not an independent film.
I like being independent. I don't think that marriage means you're not independent, but right now I'm very comfortable, and I'm probably the happiest I've ever been. I feel solid. I feel safe.
Independent films, for the most part, to me, are not so independent. They often feel like people auditioning for a big commercial career. They often do not have independent spirit to them.
I don't know that I necessarily feel more comfortable in the context of smaller films, but I tend to feel more comfortable more often than not with the material of smaller films.
Independent films in this country are in the same position. Miramax and Fine Line are not independent - they're with Disney! Come on. Or they're with Warner Brothers. They're all with somebody.
I don't feel we need to be independent for me to feel confident in my Scottish identity. I think Scotland is pretty comfortable in its identity. We won't need independence to preserve it... if we don't become independent, it won't disappear; it isn't under existential threat.
The quality of mainstream cinema has changed. A lot of independent voices feel they can leave everything behind and make independent films.
You've got these big studio films and these tiny independent films now. It's very much either/or. With the independent films, it's always a beautiful risk - it might never be seen. With the studio films, you're conforming to the formula of what's always been in place.
Good female parts are hard to come by, so I go all over the place to find them: cable TV, network movies of the week, foreign films, independent American films, studio films, the stage.
It is not the team that creates the comfort zone. I thinks it's the kind of films. You keep doing same kind of films that makes you comfortable. But none of my roles have been the same. They have been different, even though the films' premise were the same.
The films that I really liked and the ones that really blew my mind when I was younger were independent films. They're like great records to me.
I can work with shyness, but for the most part I want people to feel comfortable with me. It's really more about the photographer feeing comfortable right when they walk in that makes the subject feel comfortable.
I'm never really comfortable; I think it's kind of natural to feel uncomfortable, and I think if people say they are comfortable, they're just lying.
I'm not a member of a political party, and I feel very, very comfortable being independent. Even if I weren't a journalist - if I were doing whatever - I would be an independent.
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