It’s a lovely adaptation that honors Lois Lowry’s vision and authority…the film…illuminates and explores the beauty, danger and pain of our free, creative lives. Plenty to talk about in families and other communities. Go see it.
If you're going to make a film about rage in 2018, 2017... If you're going to make a film about revenge and anger, I feel like that has to be a film about women. I don't really want to watch a film about angry men. I've seen way too many of those.
It's all about confidence and how you feel about yourself. There's no such thing as a perfect woman. I like imperfections - that's what makes you unique.
The more seriously we work on our own imperfections, the less we are judgemental of the imperfections of others.
Occupy yourself in beholding and bewailing your own imperfections rather than contemplating the imperfections of others.
Beauty is perfect in its imperfections, so you just have to go with the imperfections.
I only shoot on film. I like the quality, the grain and the imperfections. It offers me something much more rewarding than any digital camera can give me. I believe the extra expense is worth it.
When it comes to filmmaking - India or abroad, there are two approaches. First, when the director knows what he's making. Second, where he has an idea and explores that while making the film.
If you look at it closely, 'Mankatha' is a politically incorrect film. It explores the darker side of the human mind, and I think, while watching it, people are, in a sense, redeeming themselves of their own guilt.
For me, it was very important to be part of a boxing film that actually explores the psychological aspects of the sport, more than just the physical aspects. I haven't seen boxing movies very often that really go so deep into the minds of the boxers. It really puts out how much it is about strategy and tactics and technique.
With film, there's a consistency to it, but what I like about the TV shows that I've been fortunate to do, like 'Friday Night Lights' and 'True Blood,' is that it feels like you're doing a film.
As long as human beings are imperfect, there will always be arguments for extending the power of government to deal with these imperfections. The only logical stopping place is totalitarianism -- unless we realize that tolerating imperfections is the price of freedom.
I find that male directors are more interested in what the film looks like as opposed to what the film is about emotionally. My job is not to make the film look pretty, and I don't feel drawn to making myself look pretty within the film.
I only would say yes to a film, do a film or any project, if I think I would watch it. Whether the audience will like it, not like it, how will they take to the film, these are not things in your control and you shouldn't bother about them.
Former Vice President Al Gore starring in a new documentary about global warming. I believe it's called [Leno snores]. ... The film actually features Al Gore and explores his journey on how he first got interested in temperature change. It started back when he was vice president. He noticed how the temperature would change, like whenever Bill would walk into the room, it would get warm and whenever Hillary walked into the room, it got cold.
'Thirteen' was really hard on my family. I wrote this movie about them and their flaws and imperfections and what it was like growing up. It was from one kid's perspective and not a well rounded one. You get older, and it's like, 'How dare I portray my father as being a totally vacant, careless schmuck?'