A Quote by Mic Geronimo

I could look in everyone's faces and see them reflecting on how much time has passed and all the things we went through. — © Mic Geronimo
I could look in everyone's faces and see them reflecting on how much time has passed and all the things we went through.
I look back at my career when I was younger and can connect what I was going through at the time with the characters I was playing. I see the similarities in them reflecting on my life.
The greatest of characters, no doubt, would be he, who, free of all trifling accidental helps, could see objects through one grand immutable medium, always at hand, and proof against illusion and time, reflecting every object in its true shape and colour through all the fluctuation of things.
The first time people come to see me, it's usually because they're curious. Then maybe some of them return. I look out in the audience and see the same faces, the same wonderful, loyal faces.
Children make the best measurements of time. It is only when I see the son or daughter of a friend or relative over periods of time, do I realize how much time has passed based on how much they've grown.
And we passed through the cavern of rats. And we passed through the path of boiling steam. And we passed through the country of the blind. And we passed through the slough of despond. And we passed through the vale of tears. And we came, finally, to the ice caverns.
We just get comfortable in our routines, and that's how it worked before, but now you can see wrestling from around the world and all the promotions, and everyone has something online you could see. And many years ago, you could do these routines, and they weren't routines to the fans because they didn't see them as much.
Penthouse' didn't seem to concentrate as much on the girls' faces, and I really wanted to see the girls' faces. It seems like through the 1980's, they almost went out of their way to obscure the girls' faces.
'Penthouse' didn't seem to concentrate as much on the girls' faces, and I really wanted to see the girls' faces. It seems like through the 1980's, they almost went out of their way to obscure the girls' faces.
Too many people don't look at things objectively and try to see the facts; they instead look at them through their partisan lenses and try to figure out how to twist or spin them to fit their own 'side.'
A watch can only tell us how much time it is, how much time has passed, or how much time must still pass before something will occur. These statements are related not to time itself but only to its measurement or calculation.
Drop your false ideas. See through people. If you see through yourself, you will see through everyone. Then you will love them. Otherwise you spend the whole time grappling with your wrong notions of them, with your illusions that are constantly crashing against reality.
Usually, I really only look at any one particular album at a time when I'm making it. I've never really sat and looked at the journey through all of my albums to see if I could find a thread through them.
Adults are always telling young people, 'These are the best years of your life.' Are they? I don't know. Sometimes when adults say this to children I look into their faces. They look like someone on the top seat of the Ferris wheel who has had too much cotton candy and barbecue. They'd like to get off and be sick but everyone keeps telling them what a good time they're having.
It's funny, but certain faces seem to go in and out of style. You look at old photographs and everybody has a certain look to them, almost as if they're related. Look at pictures from ten years later and you can see that there's a new kind of face starting to predominate, and that the old faces are fading away and vanishing, never to be seen again.
Working on 'SNL,' you can have a really stressful experience or a really bad week, and I could see how much of a nightmare that could be for someone who doesn't have a network of buddies going through that with them.
I think it's much more radical to see and show things as they look instead of making them somehow subversive through alienation.
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