A Quote by Michael Grant
The gaiaphage. That's the other word they use. 'Gaia,' as in world. 'Phage,' as in a worm or something that eats something up. I'm going to go way out on a limb here and say I don't think something that calls itself a 'world eater' is a good thing.
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Once I get on something, once I have something that I'm working on, then I become very obsessive. In a good way. I mean,... is there a positive way to say obsessive? It's a good thing and if you're out there and you're working on something right now and you're crazed and you're up in the middle of the night, or you can't stop thinking about it, or you have to keep reading other things about the subject that you're working on or whatever. That's good and I think that's necessary creatively.
In a way, and I don't like to use this word, but delusion can be a good thing, it can be a bad thing, but when you genuinely believe in something, if you're putting in the effort to progress, you're going to progress more than someone who doesn't think they can do it.
A word refers to something in the real world and so, in a way, does a photo. It's not the thing itself, but it's a kind of suggestion of where you might look for that thing.
I think that's a great opportunity, to pick a script where you can build up a good skill. I think the main thing I look for when I look at scripts is if it's inspirational. If it's something that teenagers can relate to. And is it something that the audience is going to get something out of. If not, then it's really not worth doing.
When you go and create something, you want to believe in it. If they don't, we're barking up the wrong tree. But when you believe in something and you see other people believing in it too, it just feels like you're doing something right in the world, and that feels good.
We seem to invest so much time and belief that those things are stable in some way - something to build towards, or something to use to better understand where we come from. So often those expectations are just so out of line with how the universe works. I don't see it as a productive way of seeing the world, so, when I deal with that stuff formally - or when I try to allow it to inspire me - I'm open to it twisting itself up.
You can't just tell your team, 'Think long term.' It doesn't work that way. When you are starting out, you have to always think about trying to build something of value for the customer: something they can use all the time, something of use.
It's really about taking something inherently negative, and starting with the word loser, starting with something that's negative, and changing it into something that's positive, redefining it, but doing it in a certain way, how - like I would say when I look out at the world and you see it's dark and it's just overbearing and every day is depressed, depressed, depressed. What it took was to change my perspective a little bit. Not to change the world, to change my perspective.
I think that sense of surprise, that you don't know where something is going, or what's going to happen, even as you write, that you're making it up as you go along - that's important to me. It's not a question of shock or surprise in a gimmicky way. It's that as you read, you become more deeply into something and into what happens, and become more involved and engaged, you're learning something or you're appreciating something or seeing something differently - that's what's surprising.
I think it's incumbent upon elected officials to make sure that, if we're going to demand more tax money from people, that we use it in a productive manner and not just say, 'This is what we're going to use it for,' and then they find out that it was used for something else and sometimes something very frivolous.
For me, writing music is a way of processing the world. It's not a concrete thing, as in, "This piece is about giraffes." It's much more of an emotional sort of thing. I want people to find something out about themselves through my music, something that was inaccessible before, something that they were suppressing, something that they couldn't really confront.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
I want to make the most out of the word ‘fame.’ I want to do good things with my fame, or whatever it is. I want to help and do charity work. There’s something going on in Chile right now with the water, so I think I’m going to down there in a month to help out. My grandfather worked with charities his whole entire life, and we grew up living with him. He always told me about the other side of the world and everything that’s going on.
We have to be the people who stand up and say look, vigilance is good and prudence is good. But a kind of irrational fear that leads itself to demagogic rhetoric is something that we have to say no - no, we're not going to go there.
I’m not good at talking,” Naoko said. “Haven’t been for the longest while. I start to say something and the wrong words come out. Wrong or sometimes completely backward. I try to go back and correct it, but things get even more complicated and confused, so that I don’t even remember what I started to say in the first place. Like I was split into two or something, one half chasing the other. And there’s this big pillar in the middle and they go chasing each other around and around it. The other me always latches onto the right word and this me absolutely never catches up
You have something to say. Something of your very own. Try to say it. Don't be ashamed of any real thought or feeling you have. Don't undervalue it. Don't let the fear of others prevent you from saying it... You have something to say, something that no one else in the world has said in just your way of saying it.
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