A Quote by Michael Grant

Sam, that's a great concept. And maybe you believe it. But I'm black and I'm a lesbian, so let me tell you: From what I know? Personal experience? There are always lines. — © Michael  Grant
Sam, that's a great concept. And maybe you believe it. But I'm black and I'm a lesbian, so let me tell you: From what I know? Personal experience? There are always lines.
As a young rookie NFL player, you go to the rookie symposium and the one thing they tell you is, "You guys know what the NFL stands for?" Everybody looks around like, "National Football League...?" The guy's like, "Nope - Not For Long." They tell you right there to get prepared for your second life. You take that in, and I've always been one to prepare early, to see ahead and anticipate and believe in great things happening, and they do. I'd already known that concept and appreciated that concept, but for me, I was always going to be here for a while. I just believed in that.
As a woman, as a Jew, as a lesbian, as a labor leader in a time of great anti-union animus, I know that other people project their biases on me. But it is nothing like the experience of our African-American brothers and sisters, especially black and brown men and boys.
Being a black lesbian myself, I roll my eyes a little bit when I see black lesbian characters on shows where it's purely there for decoration. You can just hear it in the writers room... 'What if we make her a lesbian?'
Here's what I love: when a great writer turns me into a Jew from Chicago, a lesbian out of South Carolina, or a black woman moving into a subway entrance in Harlem. Turn me into something else, writers of the world. Make me Muslim, heretic, hermaphrodite. Put me into a crusader's armor, a cardinal's vestments. Let me feel the pygmy's heartbeat, the queen's breast, the torturer's pleasure, the Nile's taste, or the nomad's thirst. Tell me everything that I must know. Hold nothing back.
I realize how much my life lines up with artists like Marvin Gaye and Sam Cooke. My sound comes from church, but the stories come from actual personal experience, being out there in the streets living life.
Within the lesbian community I am Black, and within the Black community I am a lesbian. Any attack against Black people is a lesbian and gay issue, because I and thousands of other Black women are part of the lesbian community. Any attack against lesbians and gays is a Black issue, because thousands of lesbians and gay men are Black. There is no hierarchy of oppression.
I am whatever you want me to be and I can't control that. My experience is my experience, but I can't really claim anything. I know when I take my wig off at night and I have to twist my hair up, I'm black. But I don't get too personal most of the time.
Sam Nunn might bring us Georgia and maybe even another Southern state but, in my opinion, at an unacceptable cost to our principles and to the concept of change that has stirred millions to rise and work for Barack Obama. Sam Nunn would be a disaster as a running mate and a total anathema to millions of Americans.
Maybe sometimes, when I see some kids, you know, with their families. It's making me cry. You know, maybe when I ask them, sometimes, like, 'How does it feel to have a dad?' And, you know, they tell me this great answers, and sometimes I wish my dad was here.
Lesbian?” Payton turned around and saw J.D. standing there. Maybe it was the wine. Maybe she was basking in the glow of their successful pitch to Gibson’s. Maybe it was her promise to Laney to be the “New Payton,” or maybe it was a combination of all those things. But Payton actually found herself smiling at J.D. It’s just an excuse, the lesbian thing,” she said.
Teaching Black Studies, I find that students are quick to label a black person who has grown up in a predominantly white setting and attended similar schools as "not black enough." ...Our concept of black experience has been too narrow and constricting.
Throughout my career, I have benefitted from the experience and counsel of a wide range of people who took a very personal interest in me. As a result, I am always happy to share lessons learned from my journey with others. I am particularly passionate about mentoring young black girls. While we are a very diverse group, there is a special bond that connects us to each other. When I work with them, I see them in me and I believe they see me in them. By coming together, we are able to show the world the power and the promise of black girls.
All men lie when they are afraid. Some tell many lies, some but a few. Some have only one great lie they tell so often that they almost come to believe it... though some small part of them will always know that it is still a lie, and that will show upon their faces. (a servant in the House of Black and White)
Often the lines that define the traditional European arrangement of fiction, non-fiction, history, etc. are not useful. These lines can distort the world we, people who look like me, live in - and by the world, I mean our personal experience of it.
Sam Fuller and 'Shock Corridor' can only be conjured as a mantra. 'Shock Corridor' is a classic work of art - it's unique. It comes from the unique experience of being Sam Fuller and yes, there's always that element of 'Shock Corridor' hovering around the picture, but never specifically. In fact, I didn't even screen it because it's in us. It's in me anyway. It's in me. It was a way of conjuring up support just by saying the name, 'Shock Corridor,' as I was going to shoot. Poor Sam [Fuller]...
She, uh, came out of the closet recently, my niece. Um... She announced to the family that she's a lesbian and... She's seven, did I mention that? And, uh, I don't even know if she knows what a lesbian is, but I support her completely. And, uh... I'll tell you what's heartbreaking. My sister punished her for it. Can you believe that? No pussy for a week. Which to us may not sound like... But when you're seven, you know, a week is a long time.
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