A Quote by Michael A. Stackpole
I sell a lot of ebooks from my website and encourage authors to set up their own stores.
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Authors will make far more on those ebooks through direct sales than publishers are offering. There is no incentive for authors to sell those rights to traditional publishers which means, in the fairly short term, publishers run out of material to sell.
For me, Sci-Hub has a value by itself, as a website where users can access knowledge. There are many websites where you can see pictures, share tweets, download music, read ebooks. And Sci-Hub is a website where you can read research articles.
I have no problem selling ebooks for authors directly as an agent, but partnering with them is another matter.
Not to name names, but a lot of pop female artists you see, they don't write their own songs. Lot of top male artists and boy band artists, they don't write their own songs. They're just a product. They sell, they sell, they sell. They don't care about musical integrity, any of that kind of stuff.
We've built our own technology platform in-house, which operates our website and powers our retail stores.
We authors certainly don't know what is going to happen to our books. Are they going to disappear into the ether, following music downloads, or are ebooks going to open up a whole new world of readers? And how much are we being paid per copy? We haven't a clue.
In Harlem, for instance, all of the stores are owned by white people, all of the buildings are owned by white people. The black people are just there - paying rent, buying the groceries; but they don't own the stores, clothing stores, food stores, any kind of stores; don't even own the homes that they live in. They are all owned by outsiders, and for these run-down apartment dwellings, the black man in Harlem pays more money than the man down in the rich Park Avenue section.
You can sell a lot more books if you work with other authors than if you try to do everything all by yourself.
This album means a lot to me, and partnering with Cracker Barrel to have it in their stores is very exciting. I am a big fan of the brand, so it was a natural fit to team up with them to have 'You Should Be Here' in its stores nationwide.
True success for FEED would be the day we close our doors because world hunger is no more. Until that day, we measure our success through the number of products we are able to sell on our website and through stores, which translates into the number of meals we are able to donate.
I spend a lot of time in preproduction working with authors, and a lot of time in postproduction.: editing, music, all that sort of stuff. Casting. On the set there's not a lot for me to do.
Retailing has become fiercely competitive. Today there are many large global fashion companies who have opened up mono-brand stores in major cities around the world. When I first opened my boutique in New York, in 1985, there were almost no other European luxury brands present with their own stores. Now Fifth Avenue is packed with huge stores from major Italian and French labels.
It is easy to club people together, but there are bound to be influences of authors you've read. I grew up reading fast paced authors such as Sidney Sheldon and Jeffrey Archer, but to say I'm one of them isn't true; my style is intrinsically my own.
Radio Shack is meeting the fate of many other stores that were wildly popular in the twentieth century, including record stores, comic book stores, bookstores and video stores.
My number-one website is brainpickings.org. It opens you up to different authors and gives insights into the literary world. Reading about the love letters novelist Vladimir Nabokov wrote to his wife Vera blew my mind. Fascinating.
CD stores have the disadvantage of an expensive inventory, but digital bookshops would need no such thing: they could write copies at the time of sale on to memory sticks, and sell you one if you forgot your own.
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