A Quote by Michael Almereyda

It's about love and loss, it struck me as a meaningful and compelling story, and the shifts in reality offered up strong visual possibilities. — © Michael Almereyda
It's about love and loss, it struck me as a meaningful and compelling story, and the shifts in reality offered up strong visual possibilities.
Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as the words, why look? The visual must be so compelling that a deaf man would sit though the performance fascinated.
I think the tricky balance, the most important thing more than the horror is to have a compelling story, compelling drama, a show about great characters that you care about and you want to come back every week to see what they're up to.
My 'awakened dreams' are about shifts. Thought shifts, reality shifts, gender shifts: one person metamorphoses into another in a world where people fly through the air, heal from mortal wounds. I am playing with my Self, I am playing with the world's soul, I am the dialogue between my Self, and el espirítu del mundo. I change myself, I change the world.
Our ego ideal is precious to us because it repairs a loss of our earlier childhood, the loss of our image of self as perfect and whole, the loss of a major portion of our infantile, limitless, ain't-I-wonderful narcissism which we had to give up in the face of compelling reality. Modified and reshaped into ethical goals and moral standards and a vision of what at our finest we might be, our dream of perfection lives on--our lost narcissism lives on--in our ego ideal.
People who hadn't suffered a loss yet struck me as not quite grown up.
It just struck me that one of the things about photography that made it such a compelling medium to deal with is that it is perhaps the most contradictory of mediums.
In early 1999, I was watching TV, when I came across a story on Afghanistan. It was a story about the Taliban and the restrictions they were imposing on the Afghan people, most notably women. At some point in the story, there was a casual reference to them having banned the game of kite fighting. This detail struck a personal chord with me, as I had grown up in Kabul flying kite with my friends.
I fell in love with commerce and the opportunities that come with compelling visual storytelling.
When you create those characters that people love and care about and put them in a dark hallway, already the audience is on edge, and they feel empathy for that character. Then it's up to me to decide what jumps out in that hallway. So I think laying that foundation of strong characters and strong story is the most important thing in a horror film.
What I love about the Bible is that it's a group of stories but it's all telling one main story. It's about Jesus Christ. The story is not about me. That takes a lot of the pressure off me, but it also puts the responsibility on me to point people to who the true story is about.
The earliest impetuses for writing, for me, were simply the strange things I happened to notice in my everyday life, stuff I read about in the grocery store tabloids my mom bought, situations that struck me as compelling, anecdotes I'd heard, images, words, metaphors.
The visual for 'Holding The Gun' is a love story. It's about a ride or die and unapologetic type of love and a kind of loyalty that only comes once in a lifetime.
With movies, you are always in search is a good story, one that everyone will relate to and love. I love finding those stories and creating a visual world to tell the story.
The impact of the magazine was very strong. As I said, it portrayed dinosaurs as part of the geological history, part of the story of life on earth. It struck that paleontology was the career for me.
Ignore any loss of nerve, ignore any loss of self-confidence, ignore any doubt or confusion. Move on believing in love, in peace, and harmony, and in great accomplishment. Remember joy isn't a stranger to you. You are winning and you are strong. Love. Love first, love always, love forever.
There's just no more compelling a story, no more compelling an issue, no more compelling a locus of human suffering than Sudan.
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