A Quote by Michael Arad

No rendering can really simulate the way the light bounces off the bronze panel. From some angles, it's almost a mirror, and from others it's a matte surface. — © Michael Arad
No rendering can really simulate the way the light bounces off the bronze panel. From some angles, it's almost a mirror, and from others it's a matte surface.
Stained glass is unique from the outside, but as a painting insider, I know that oil painting's all about light. And it's about the depiction of light, the way that it bounces off different types of skin, different landscapes. The mastery of that light is the obsession of most of my painter friends.
I don't hate what I see when I look in the mirror. Even if legions of others don't agree. I have accepted the reflection that reliably bounces back at me for its perks and its flaws.
They are having a panel look into the intelligence failures in Iraq. It is a seven-person panel and it will include Senator John McCain, but the findings from this panel will not be issued until after the election. President Bush says the commission can go off and report back in a year, you know, the same way it works in the Texas National Guard.
What you really have to know is one: yourself. And the only way you can know that one is in the mirror of the others. And the only way you can see into the mirror of the others is by love or its opposite—by profound emotion. Certainly not by curiosity—by dancing around asking, looking, making notes. You have to live relationships to know.
I think one thing with Sweden is that in some way the Swedish society is a very good society, almost perfect on the surface. That is something that makes the writers forced to see what is underneath the surface, because it's always something underneath the surface, of course.
For 'Brow Struck', I really wanted it to be able to create natural-looking brows. So we found this really innovative formula that has a very specific type of shimmer that has a reflectiveness to it. Eyebrows are not naturally matte, so the point of this formula is to really mirror that.
I should almost therefore put forward the proposal that the third hypothsis (angle sum of a triangle less than two right angles) holds on the surface of an imaginary sphere.
I'm so grateful to be Ghanaian, with this deep, deep skin that is just glowy. Light bounces off my cheekbones and my shoulders, no matter the season.
For a while, I was drawing on good paper, but now I've gone back to the bad stuff. I put matte medium on it. If you put matte medium on it, it seals up, so it doesn't really matter.
No Difference Small as a peanut, Big as a giant, We're all the same size When we turn off the light. Rich as a sultan, Poor as a mite, We're all worth the same When we turn off the light. Red, black or orange, Yellow or white, We all look the same When we turn off the light. So maybe the way, To make everything right Is for god to just reach out And turn off the light!
Some people will stop a scene and demand a mirror and look at themselves and check which angles they're being photographed from. I don't do that.
Sunlight is one and the same wherever it falls; but only a bright surface like that of water, or of a mirror reflects it fully. So is the light Divine. It falls equally and impartially on all hearts, but the pure and pious hearts of holy men receive and reflect that light well.
Shorter daylight hours can affect sleep, productivity and state of mind. Light therapy, also known as phototherapy, may help. It uses light boxes emitting full-spectrum light to simulate sunlight.
In the media, waterboarding is called 'simulated drowning,' but that's a misnomer. It does not simulate drowning, as the lungs are actually filling with water. There is no way to simulate that. The victim is drowning.
What you think is fake in your head comes off as not enough on camera, a lot of times. You almost have to overdo it, in this overly, sort of Broadway, large-gestures kind of way to come off as being realistic on camera. It's strange. You almost have to act really fake to come off looking real.
I always wanted to make a light that looks like the light you see in your dream. Because the way that light infuses the dream, the way the atmosphere is colored, the way light rains off people with auras and things like that...We don't normally see light like that. But we all know it. So this is no unfamiliar territory - or not unfamiliar light. I like to have this kind of light that reminds us of this other place we know.
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