A Quote by Michael Arden
I'm interested in people's relationship to objects, so I think a lot of my work is very tactile.
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It is clear that everybody interested in science must be interested in world 3 objects. A physical scientist, to start with, may be interested mainly in world 1 objects--say crystals and X-rays. But very soon he must realize how much depends on our interpretation of the facts, that is, on our theories, and so on world 3 objects. Similarly, a historian of science, or a philosopher interested in science must be largely a student of world 3 objects.
I think I'm very interested in people, in the way our minds work and how we navigate through the experience that is life. Very interested in people's struggles and their choices and their regrets and joys. I'm very interested in the human animal.
I think it's very difficult, and people don't give enough credit to how hard it is to do in-game commentary. I'd have a lot of work to do, but I'd definitely be interested. I'm always interested in breaking down the game, and I'd love to see more females doing it.
I'm not really into religion, OK. I saw a lot of things I did not like when I got into organized religion. I think a lot of people abuse it, I think a lot of people use it, I think a lot of people make it what they want. And me, my faith and my relationship with God is very personal. And it's not anybody's damn business how we talk.
I was interested in the idea of celebrity... some very untalented people getting very successful and making a lot of money for not a lot of work, sometimes.
I'm tactile, very tactile. A woman who has really nice, looked-after skin is such a turn-on for me. It's always sexy.
Part of the people here are interested in the same thing that Putin is interested in: Putin wants to have America as an enemy. Part of Americans want to have Russia as an enemy. It's advantageous. The other part of the people are just ordinary people. And these people project onto big objects the kind of relations that they have with small objects in their everyday lives.
I think the greatest thing we give each other is encouragement...knowing that I'm talking to someone in this mentoring relationship who's interested in the big idea here is very, very important to me. I think if it were just about helping me get to the next step, it would be a heck of a lot less interesting.
Pedro's Almodovar different - very unique, very particular and difficult to compare to anyone else. But I've been lucky with many of the people that I've worked with. I think I've been very lucky with great opportunities - directors like Stephen Frears, Cameron Crowe and Fernando Trueba, as well as Bigas Luna, who gave me my first opportunity. There are a lot of people I would love to work with again. But, of course, I have a special relationship with Pedro and I don't think it's good to hide that.
I really need to work. People think that I'm no longer interested in acting and only interested in work-ing with the animals. Obviously I have given that impression, but it is not how I feel. I think I'm a good actor. I think I look OK. I don't understand why I'm not working all the time.
I think NASCAR and racing have been around for a long time. I certainly enjoy it, and there's a lot of connects to people. People drive to work every day, and there's a lot of genuine connection there. If people are interested in seeing that, building into that, I'm proud of what I'm a part of.
Just from my own experience, a lot of the comedians I used to work with were miserable in their actual lives. I think you need to be able to see a lot of negative in things in order to extract material, so there's probably something to that. A lot of the people I used to work with were very, very, very unfunny offstage, so that's a pretty common thing.
It took a long time to understand why people were so interested in me, but I assumed it was because my wonderful husband had done a lot of wonderful work leading up to our marriage and our relationship. But then, over the years, you see yourself as a good product that sits on a shelf and sells well. People make a lot of money out of you.
I'm a very physical person. I'm very tactile. I wrestled in college, so a lot of my communication with the world comes through physicality - what I take in and what I put out there.
Human beings are really attuned to their senses. When you work in film, you are working with the visual and audio senses. An understanding of tactile and other components that go into the creation of those objects are important to making them look real on screen, like a plasma of energy.
I'm not interested in making all-black films - I come from a very diverse culture; I want to work with every type of person. I work a lot with women executives because they seem to be a lot more open minded about that and a lot more progressive in that way.
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