A Quote by Michael Arden

It's exciting to share an art form that I would never have imagined sharing with the deaf community. Doing musicals, it's not like, 'Oh, I'll do a musical with a deaf person.'
The deaf community has shaped me as an artist and a person, and I am very grateful that I have been able to share and create so much art with a group of people I would have never imagined sharing and creating with. It's a true testament to the power of theater. There are no walls.
Even if nobody's singing, just when you talk, you're singing. I'll meet somebody and say, "Oh, I'm tone-deaf." I say, "You're not tone-deaf, because if you were tone-deaf you would speak like that. But you're 'Oh, I'm tone-deaf.' You already sang a song to me."
The deaf community is nearly never portrayed accurately on television/film because most writers never took the time to immerse themselves in the deaf culture before portraying it on television. They also never got to know their deaf actors.
I've been involved in the deaf community for years, and my friends in the community that are actors or performers get very frustrated when they see hearing people portraying a deaf role.
Before working with Deaf West, I had never met a deaf person, and now I can't imagine life without ASL.
I would love to do a talk show. Naturally, I would love to do more films. I'd love to be able to see casting directors more willing to put in a character who happens to be deaf. I'm not talking about doing deaf storylines, but putting in deaf characters. I'd love to be able to do Broadway.
I grew up with deaf teachers, and I thought all deaf children should have exposure to deaf educators.
I know what it's like to be growing up, called 'deaf and mute' and 'deaf and dumb.' They're words that are very degrading and demeaning to people who are deaf and hard of hearing. It's almost... it's almost libelous, if you want to say that.
There are many issues within the deaf community but, for me, none more important than access to education for deaf children.
I started to realize that there are a lot of people who are unaware of deaf culture, and I've been given a great platform to reframe the deaf community.
I know a little bit about deaf culture because a friend of mine has been in the deaf culture for awhile. Over the course of 25 years, she and I have talked about many of the issues and concerns for deaf people and deaf culture.
One of the things I did when I was in New York, which has a wonderful deaf community, is I have worked on making Broadway more accessible to deaf people.
It was intimidating to play a deaf character. There's a whole culture in the deaf community and I really wanted to know a lot about that and honor it in the work.
I'm a proud person who happens to be deaf. I don't want to change it. I don't want to wake up and suddenly say, 'Oh my God, I can hear.' That's not my dream. It's not my dream. I've been raised deaf. I'm used to the way I am. I don't want to change it. Why would I ever want to change? Because I'm used to this, I'm happy.
I am fourth-generation deaf, which means everyone in my immediate family is deaf. So I grew up always having 100 percent accessibility to language and communication, which was wonderful and something so many deaf people don't have.
I am fourth-generation deaf, which means everyone in my immediate family is deaf. So I grew up always having 100 percent accessibility to language and communication, which was wonderful and something so many deaf people dont have.
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