A Quote by Michael Arndt
If you only know something one way, then you don't really know it.
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I'm really grateful for all of the things I've had to learn along the way, you know? I don't know if I would want to say anything to my younger self. That way, you know, it really means something. If you have to go through it all, it really means something.
The tree or the road - the ones I know of, finally they are the only characters I know really. The human characters I don't know. So there is both something I know and something I don't know. And I put them together.
What you really have to know is one: yourself. And the only way you can know that one is in the mirror of the others. And the only way you can see into the mirror of the others is by love or its opposite—by profound emotion. Certainly not by curiosity—by dancing around asking, looking, making notes. You have to live relationships to know.
These are two different exercises. One of them is, "You don't know and I know, so just shut up and listen," and the other one is, you're curious and you're learning, and I have a way where you can learn this so you'll know it as well. And when you know it, and know why you know it, then you don't have to reference me ever again because you take ownership of the knowledge, and you can then share it with someone else.
When people say, 'You have Alzheimer's,' you have no idea what Alzheimer's is. You know it's not good. You know there's no light at the end of the tunnel. That's the only way you can go. But you really don't know anything about it. And you don't know what to expect.
Writing is such a strange, utterly mysterious process. First, there was nothing; then, suddenly, there was something. I don't know where thoughts are born. Where the hell does it come from? I don't know. I really don't know.
I love hanging out with my friends and family. I really, really, really love articulating original thought. That's probably my core, my biggest buzz. Because then it makes me feel like I know why I was born. Reaching original thought, where I know that I'm perceiving something that only I have seen, and I need to incarnate that. That's it right there.
It's funny how you can think you know someone pretty well, and then something happens or they do something that makes you understand that you didn't really know them at all.
You know, I feel like if I don't change something, then the results maybe are going to continue the way that they have. That for me is not something that I want to really be a part of.
Direction is the most invisible part of the theatrical art. It's not like the conductor in the symphony orchestra performance because he's standing in front of you waiving his arms. You now what he's doing. You don't know what the director is doing unless you know a lot about theater and even then you can only deduce it. You know it when you go to rehearsal. You really know it when they are rehearsing something of yours. I learned more in the rehearsals for The Letter than I have ever dreamed of know in the theater as a critic. If it doesn't make me a better critic, I'm an idiot.
I know my beliefs. I know where I stand on issues and concerns, and I feel that there is the right platform to tackle those concerns. And if you're lucky enough to have a voice on something you have knowledge, then speak your mind, but only really for things for which you have an input.
You know," I said, holding my ground. "I gotta tell you. The goatee thing? Yeah, way over. And you know a little jewelry really does go a long way. Just something you might want to consider. I'm actually glad you stopped by, because I have a couple things I've been meaning to say to you. Number one, about your wife? Yeah, she's a skank. And number two, you know that whole thing where you killed Jesse and then buried his remains out back there? Yeah, way un-cool.
Maybe the first time that you know you really care about something is when you think about it not being there,and when you know-you really know-that the emptinessis as much as inside you as outside you.For it falls out,that what we have we prize not to the worth whiles we enjoy it;but being lacked and lost,why,then we rack the value,then we find the virtue that possesion would not show us while it was ours.That's when I knew for the first time that I really did love my sister.
I guess I don't really know any other way to do it, it just feels like the natural way to do things for me. Like - if I'm writing a song - it has to have some sort of value. Or it only has some kind of value to me, if it's something really personal. It has to mean something to me. I guess it is a little uncomfortable, or it's a little embarrassing sometimes, to know that stuff that honest is out there. But, when I hand off the thing, when it's totally done and mastered and sent, I kinda feel like it doesn't belong to me anymore.
I've never understood the need people have to dictate morality to other people. I really don't know what it is. I don't know if it's fear or the belief that they know the only right way. Or maybe they see a lot of social ills and social decline, and they really think they have the elixir for it.
When you love something, you get to know it. Then you feel the ownership and if it changes, you only love it as far as you know it because then you're like, "What is this?"
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