A Quote by Michael Arndt
I like to begin every screenplay with a burst of delusional self-confidence. It tends to fade pretty quickly, but (for me, at least) there doesn't seem to be any other way to start writing a script.
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I like to begin every screenplay with a burst of delusional self-confidence. It tends to fade pretty quickly, but for me, at least, there doesn't seem to be any other way to start writing a script.
Once I start work on a project, I don’t stop and I don’t slow down unless I absolutely have to. If I don’t write every day, the characters begin to stale off in my mind – they begin to seem like characters instead of real people. The tale’s narrative cutting edge starts to rust and I begin to lose my hold on the story’s plot and pace. Worst of all, the excitement of spinning something new begins to fade. The work starts to feel like work, and for most writers that is the smooch of death.
I started acting when I was 5 years old. And I was pretty well known for a while. Your self-esteem and your identity start to become wrapped up in that celebrity, and when that starts to fade away, your self-esteem and your identity start to fade away with it.
I just trust the director and never overanalyse the script, screenplay, etc. You are just taking a bet at the end of the day, so confidence, be it on the filmmaker or the script, is all that counts.
Once I was in college, I was actually trying to write a comedy screenplay and I wrote basically the worst movie ever and just threw it away and never showed anybody. Everyone needs to get that first bad screenplay out of your system before you start writing other stuff.
When I am writing I don't set a certain number of pages. I do know that the further into a script I get the faster it goes. As soon as you start making decisions you start cutting off all of the other possibilities of things that could happen. So with every decision that you make you are removing a whole bunch of other possibilities of where that story can go or what that character can do. So when I get maybe 2/3's of the way through I can see very clearly where it is going to go.
The greatest step toward success is self confidence. The greatest builder of self confidence is self esteem, and self esteem comes from doing the daily things you know you should do. Your self esteem will start to soar when you make some critical decisions - decisions to walk a new road, to start a new direction, to start a new discipline.
I think any start has to be a false start because really there’s no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it’s really a false start is when you start … it’s hard to put into words.
Certain movies like 'Wag The Dog,' we used improv on every scene that we did. Pretty much, we would shoot from the script and then some stuff that we came up with in rehearsal, and then we'd have at least one or two takes where we completely went off the script and just flew by the seat of our pants.
I am often asked if leaders are born or made. The answer, of course, is both. Some characteristics, like IQ and energy, seem to come with the package. On the other hand, you learn some leadership skills, like self-confidence, at your mother's knee, and at school, in academics and sports. And you learn others at work-trying something, getting it wrong and learning from it, or getting it right and gaining the self-confidence to do it again, only better.
I stand firm behind the belief that, for me, songwriting isn't something that I do or command, it happens to me. I can either choose to stop and acknowledge it, or put it off and hope that it won't fade away. 'That Wasn't Me' is no exception - it came together more quickly than any other song I have ever constructed on my own.
Adolescents swing from euphoric self-confidence and a kind of narcissistic strength in which they feel invulnerable and even immortal, to despair, self-emptiness, self-deprecation. At the same time they seem to see an emerging self that is unique and wonderful, they suffer an intense envy which tears narcissism into shreds, and makes other people's qualities hit them like an attack of lasers.
It's like a pulsar inside me. There is this great burst of energy, forcing me to write, and then the star goes quiet for a time, and I think it's gone, but it's gathering energy for another burst. And I seem to be almost unwilling participants in this.
I suppose that there are endeavors in which self-confidence is even more important than it is in writing -- tightrope walking comes immediately to mind -- but it's difficult for me to think of anybody producing much writing if his confidence is completely shot.
I have been waiting around to get the right script and the right director. For example, in the past, if a Hollywood director came to me with a script and wanted me to play a character, and she was a stereotypical Asian woman who gets into a fight and gets killed off quickly, that didn't seem to have much interest for me.
The media tries to destroy Republicans who make little faux pas and they start telling everybody how dumb and stupid or uncaring they are. They're so self-absorbed, so selfish and so forth. With Obama, it's always, "There's nothing to see here, because he's a dream of a guy to begin with" and all that. "He missed the Gulf of Mexico? So what! He thinks there are 57 states? Big deal! At least he's trying; at least he cares," is the way it goes.
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