A Quote by Michael Aspel
One of the experts bought his first piece at the age of four, so they did start very young, most of them. They did it out of genuine interest but today's kids are much more materialistic and there's a danger, I suppose, that they might just be out to make dosh.
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You put as much effort as you can when they're young into trying to teach them to be good people or make them the best they can be, and they're older now, my kids. I'm at that stage where I let them go, and you just hope that all that nurturing you did earlier on sticks, and you launched good people out there.
I've always been honest with all my kids. So I - if they did well, they did well. And if they didn't, actually, I asked, did you try your best? And if they tried their best, then, you know, I back out because I expect them to be honest with me or with themselves. And I can't make you go out there and work out hard.
The first piece of art that I ever bought - when I could afford it - was a Warhol sketch from the period when he was just getting out of doing commercial work and more into art. It's a sketch of a young guy's face. I guess the gallery that I bought it from thought I would like it because the young guy kind of looked like James Dean.
The first piece of art that I ever bought-when I could afford it-was a Warhol sketch from the period when he was just getting out of doing commercial work and more into art. It's a sketch of a young guy's face. I guess the gallery that I bought it from thought I would like it because the young guy kind of looked like James Dean.
There was no better manager at developing young players than Sir Alex. He knew just when to bring them in and take them out, and he believed in Paul Pogba. For once, in Paul's case, it did not work out. The timing was wrong, and the difference between expectation on the player's side and the manager's idea of his development did not match up.
Changing things is not easy, and I say this without any irony. It is not that someone does not want to, but because it is a hard thing to do. Take Obama, a forward-thinking man, a liberal, a democrat. Did he not pledge to shut down Guantanamo before his election? But did he do it? No, he did not. And may I ask why not? Did he not want to do it? He wanted to, I am sure he did, but it did not work out. He sincerely wanted to do it, but did not succeed, since it turned out to be very complicated.
My dad had an eighth grade education, and everything that he did in his life was just stuff that he went out and did - figured out what he needed to know and read. Very successful, a union contractor.
It was more freedom than I think most people get when they're starting out - or even when they're not starting out. He [John Cassavetes] did his thing and I did whatever I thought.
I love living. I love that I'm alive to love my age. There are many people who went to bed just as I did yesterday evening and didn't wake this morning. I love and feel very blessed that I did. I love, too, that I know a little more today than I did yesterday, or I simply know it more profoundly.
When you stay in your room and rage or sneer or shrug your shoulders, as I did for many years, the world and its problems are impossibly daunting. But when you go out and put yourself in real relation to real people, or even just real animals, there’s a very real danger that you might end up loving some of them. And who knows what might happen to you then?
Even with the most stupid video games, kids learn more about learning than they ever did before, because they want to learn codes and moves before other kids figure them out. They're motivated to seek out someone or search the Net for help. A student who makes a video game has to solve mathematical problems to make special effects happen on the screen.
We get to go out into the schools and work with the kids on connecting them to their food at a young age, to actually see where their food is coming from, to see that their food is coming from the earth and not just from a supermarket. Once they make that connection, they can start to build upon that.
When something in art or music piques my interest, I tend to go check it out, and most things I check out, I'm not very good at. But a few things I've gone to check out have given me back as much love as I gave them, usually much more.
I suppose and I hope that the young guys who are out there losing their lives at least feel the same way I did. I shouldn't think about this very much because I'm almost weeping when I think about it.
The hardest work that actors have done, including myself, is on poorly written scripts. And when you first start out you do anything. I did a lot of crap. I did more crap than I can tell you. But you did it because you needed the money. You have to pay for your pictures and resumes, and classes and insurance and food like everybody else. In those days if it was crap you just didn't put it on your resume.
Today there isn't a university where they don't have special courses [Jewish studies or Holocaust studies], hundreds and hundreds of universities, young people today want to know more than their elders did, much more, and therefore I am very optimistic about young people.
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