A Quote by Michael Avenatti
In L.A., anytime a show is a success, people come out of the woodwork claiming they had the idea first.
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When you try to find funding for a VVA function, it doesn't seem like it's any trouble at all. People come out of the woodwork with their money to help out because we went over and fought a war.
So, we come out to Los Angeles. And we met with every network. We met with show runners, directors, writers, everything. And what we had an idea for, they didn't like. And what they had an idea for, we didn't like. So, we went home.
People can have so many ill-conceived ideas about me based on the parts that I play. I've had guys, when I've been single, come out of the woodwork to date me and I've found out very quickly that they were expecting some kind of whirlwind, some dramatic crazy person - and that's just not me.
Television is just amazing - how many people see it and how many people recognize you, and I think once you've had the opportunity and have been in front of the public, it's very flattering to have people come up and say hello to you. It's a tremendous industry. I've been in places where people come out of the woodwork. And you would never think - small towns in France or traveling through Europe - and there are so many of those people there that recognize you, and you've been in their homes. I find it to be a very flattering thing.
When you write music that expresses doubt or concern, or talks about some of the darker things that a developing human goes through, people will come out of the woodwork to listen to someone else say it out loud.
You have to find that place that is very quiet in your head, and anytime I read it, anytime I come across it, my Bible, the first Scripture in there is Psalms 91.
In my twenties, it was so important for me to show people I had all these other books and these other sorts of writing in me, .. A lot of authors, if their first book is a success, they're terrified to write a second one. But in my case, since the first book wasn't considered a literary book, I was really determined to show people I could do other types of writing.
I was the British spy who had come out of the woodwork and told it how it really was, and anything I said to the contrary only enforced the myth. And since I was writing for a public hooked on Bond and desperate for the antidote, the myth stuck.
Angry Birds is a very simple idea but its one of those games that I immediately appreciated when I first started playing, before wishing that I had been the one to come up with the idea first.
My idea for Gucci was crazy, but that's the only idea I had. I was sure I'd be fired after the first show.
It's so hard to get started creatively - it's really hard to get those first ideas out. You just have to do it over and over again, and hopefully better ones start to come. Also, anytime a good idea comes up, for a long time I think, "Oh, my God, that was so lucky that I thought of that idea, whew, I hope that happens again." The more you work at it, the more it happens, but it still feels lucky.
I felt a certain modicum of success because I had been paid well to be an actor for the first time in my life, but I felt like I had done adolescent work on the show, and stepping into the New York theater arena was the first time I felt like I'd come into my own. I felt like I was proving myself in a gladiatorial arena.
Between Trump's election and Brexit, there were all sorts of opinions coming out of the woodwork that I thought had died out a long time ago. I was like, 'What's the point?' All we do is bad things. The history of humanity is the history of people exploiting each other.
I had this mentality that I had to go out to everyone's show so everyone at the end of the week would come to mine - that I had to go out and rub elbows, find exposure. A small part of that is true. But if something is good, people will notice when you put it out.
Anytime there is a Bigfoot show, where they supposedly have recordings of him, I am watching. I love the idea of Bigfoot. I want him to be out there somewhere.
Anytime you go to see a band with a guitar player, there's always a fear of guitar overkill! That's a funny question. If you went to a Taylor Swift concert or a Jay-Z show, people would think, 'Oh, my God, I hope I don't get guitar overkill.' People come to our show for guitar, and there can never be enough.
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