A Quote by Michael Azerrad

Back in the day, in '91 or so, I tried to interview Fugazi for Rolling Stone, which the band felt stood for everything they detested about corporate infiltration of music. They said, 'We'll do the interview if you give us a million dollars of cash in a suitcase.' Which was their way of saying no.
One interview would lead us to another interview, which led us to another interview. We had the questions and the idea of chonicling this moment in time. But we didn't have a movie, per se. As we started interviewing people, it started to kind of define itself.
I gave everything I ever wrote to Johnny Cash. I think he said later in some interview that he would take them home and throw them in the lake with all the other demos. I'm sure he got a million of them.
Hillary Clinton had scheduled an interview while I was at the height of the Weinstein reporting, and her folks got in touch and said, 'We hear you're working on a big story,' sounded very concerned, and tried to cancel the interview.
Most people ask me questions based on a previous interview. That's not an interview. It's like they're just saying my quotes back to me.
Years ago I read an interview with Paula Fox in which she said that in writing, truth is just as important as story. Reading that interview was the first time I really understood that there's no point in trying to impress people with my cleverness when I can just try to write honestly about what matters most to me.
Recently a young journalist came to interview me about what I was doing the day war broke out. During the course of the interview I recounted the deaths of my only brother, my husband's only brother, a brother in law and my four best friends. "So," she said, did the war affect you in any way?
It's what Kitty Carlisle said in her book: Don't interview people about what they do, interview them about what they love. I want my interviews to come out of the side pockets.
If you're coming to do an interview with me, you should know about me. It's not that it's 'cos I'm Wizkid; I'd even hate it if you were coming to interview my friend and asked him the same question. You're here for an interview, so you should know who you're doing the interview with.
It is harder to lie in an interview. A good interview - and it can be polite - is not a one way street like a candidate controlled ad. An interview is not programmed by the candidate and so the candidate can't be exactly sure what will be asked.
If you told me to sit in a room, and you had a million dollars cash stacked right there and said, 'Don't move, don't twitch, don't do anything,' without a doubt, the million dollars would be mine.
At least for me personally, I've always tried to do a really good job every day, with each interview, and treat each interview seriously, and make the person I'm speaking with feel comfortable, hopefully make it an ideal experience.
Whether it's a show or an interview, the way I look at it is that one day people might not want to interview me. So I want to enjoy this ride while I can.
I do not believe that I have had an interview with anybody in twenty-five years in which the person to whom I was talking was not annoyed during the early part of the interview by my asking stupid questions.
Even somebody like Bill Clinton, who I happen to admire very much, the second he was out of office, I remember, he was interview in Rolling Stone and he said he thought we should have legalized marijuana. And I thought, gosh, if only you were in some sort of position to affect change in the last eight years where you could have done something about that.
What actually happened was that Rolling Stone paid me fifteen hundred dollars for the use of all the drawings - about twenty four of them - and then offered to buy the originals from me, which my agent urged 'was a good move!'. He sold the whole damn treasure trove to Jann Wenner for the princely sum of sixty dollars per drawing. I rue the day I let him convince me.
An interview is only as good as both parties are willing to give to the interview and that includes the interviewer.
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