A Quote by Michael B. Jordan

Now if I cry on screen I think it's mint. Because I think that's how that person would feel at that time. And if it doesn't, then it just doesn't happen. — © Michael B. Jordan
Now if I cry on screen I think it's mint. Because I think that's how that person would feel at that time. And if it doesn't, then it just doesn't happen.
When I look up at the screen and see myself I always have to laugh. Not because I think I'm doing a horrible job, quite the contrary, I just feel it's so surreal to feel like one person can entertain so many at one time.
I think now that I'm in the autumn of my life, and I'm getting a chance of having an overview and looking at the shape of how things happen, when things happen, why things happen, I think it was fitting that I spent most of my early career doing mask work, because I just don't think I was that comfortable in my own skin.
there is this one photograph... that is just beautiful. it would be impossible to describe how beautiful it is, but i’ll try. if you listen to the song “asleep,” and you think about those pretty weather days that make you remember things, and you think about the prettiest eyes you’ve known, and you cry and the person holds you back, then i think you will see the photograph.
I think of L.A. as my home now, in large part because I became the entity that I am in L.A. I always say to people that my coming-of-age happened in L.A., the unraveling of the person I was pretending to be for a long time, and then finding of the person I feel like I now am.
Women have been oppressed for so long in any industry, it just takes time for a shift to happen to create more equality in any field, but I feel like it's slowly happening now. It's just things don't change over night. It's the same for racism, homophobia, xenophobia etc. If you think back even just 15 years and see how different people's mentalities were then, think how much more progress and equality we cab reach in another 15 years.
I believe that love and laughter can only happen when one person takes the time to think about what would cause the other person to feel good.
I think the parts I was offered when I was younger, where I was asked to play that kind of slacker person, that was just because people would go, "Oh, she has dyed black hair." I guess that's how they thought I looked. I played a couple of those roles, and then unfortunately you get pigeonholed really fast, and then you just keep getting asked to do that. And now it would be weird at the age of 46 for me to play a slacker. It would look like I was nuts.
I would cry all of the time and I didn't know why! I was having shows and after the show I would go to the room, order a big hamburger and a vanilla shake or something like that... and cry because I was so depressed... I think it was because I was too tired.
I think that's the worst thing that can happen, when you start thinking too much. I don't like that so I just talk to my players because then you do not have time to think.
I have always been intensely uncomfortable with the idea of a science fiction writer as prophet. Not that there haven't been science fiction writers who think of themselves as having some sort of prophetic role, but when I think of that, I always think of H.G. Wells - he would think of what was going to happen, and he would imagine how it would happen, and then he would create a fiction to illustrate the idea that he'd had. And no part of my process has ever resembled that at all.
Filmmaking materials are in the hands of more people now than ever before. I would like to think that the more people have these tools, the more people will learn how to use them, it's another argument I would argue for, personally, for art's education. Because there are kids who aren't that literate in screen language and they've got to know how people select shots, how people edit audio, how people combine things to make what they see on the screen. It would be like the 15th century or the 16th century in Germany, and somebody amends a printing press and you don't know how to read and write.
My first kiss was with a girlfriend. And it was at a party. I think I was hopeful that that would happen, but I didn't plan it. You know, honestly, I think if there's a little too much planning, it's almost just like self-sabotage. Because then, you want it to go a certain way and it just doesn't. And then you're like, 'Awww, why!?!'
My first kiss was with a girlfriend. And it was at a party. I think I was hopeful that that would happen, but I didn't plan it. You know, honestly, I think if there's a little too much planning, it's almost just like self-sabotage. Because then, you want it to go a certain way and it just doesn't. And then you're like, 'Awww, why?'
I think about the structure, sure. I think about what's going to happen, and how it's going to happen, and the pace. But I think if I stop to think about it in an abstract sense, I feel very daunted. I just try to enter into the story and feel my way through it. It's a very murky, intuitive way of going about it.
If you want to cry, then cry. Decide by yourself whether you are important or not. Even if other people value you, nobody can do anything for you. Ultimately, it’s your problem so if you live without regrets, then over time I think that your problems would disappear.
But I think if it's the right person, you wouldn't have to work so hard at intimacy. I think—hope—it would just happen naturally. Otherwise, opening up to the wrong person..." I made a face. "Like putting ammo in their hands.
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