A Quote by Michael B. Jordan

My forever mission is to take the best elements of both commercial and independent films and bring them together. I learned so much about the art of independent films and I have so much fun in commercial ones. I think that a mix of both is good.
In the beginning, it wasn't even a question of deciding I'm going to do independent film and not commercial films - I wasn't being offered any commercial films, and there wasn't an independent scene.
Independent films, for the most part, to me, are not so independent. They often feel like people auditioning for a big commercial career. They often do not have independent spirit to them.
I try to balance independent films with commercial films, and I've done a pretty good job of it over the years.
You've got these big studio films and these tiny independent films now. It's very much either/or. With the independent films, it's always a beautiful risk - it might never be seen. With the studio films, you're conforming to the formula of what's always been in place.
Making independent films is liberating. It eliminates self-censorship, which mainstream films are infected with due to commercial priorities.
I've done a lot of Bengali films with heavyweights like Rituparna Ghosh, Buddhadeb Das Gupta and carved my niche with both commercial as well as art films.
I have a problem with the present definition of commercial films. To me, 'Ghare and Baire' is an absolute mainstream film. There are also many films I have worked in that have been called art films by many. But I consider commercial.
I don't think that independent or off-beat films are not commercial, nor do I want to categorise them. At the end of the day, what matters is how much you compromise to please the masses. But, I am not someone who loves compromising. If there's a lot to give up on things that matter to me, I start losing interest.
I am a hybrid. I do independent films and also do Hollywood films - I love them both.
I used to do lots of independent films and for a while I was very content living in New York City and doing independent movies and off-Broadway theater. I loved it, I had a really good time doing that, and I worked on a lot of projects that are very dear to my heart, both plays and films.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
When you work on big commercial movies, of course there's more money involved and you can still do some good work. But with an independent, you get films that are really close to the writers' and directors' heart. Somehow it becomes a little deeper. A little more meat and not as much flash.
To make independent films, you can't think about them too much, ponder on them too much, get overwhelmed by the enormity of it.
So most of my acting experience came in college when I was living away from them. I acted in various independent films, and I got some commercial work and stuff like that.
You have independent films and independent music, but you don't have independent theme parks - I think, in a way, Burning Man is as close, probably, as you get.
You see I don't like to be really too commercial about things but in this business you've just got to be commercial otherwise the films don't make money and you don't make films and as a long as a commodity is selling it's silly to kill it dead.
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