A Quote by Michael Bacon
I remember when I first got my cello when I was 8 years old. I remember the room it was in and what the lacquer smelled like. Instruments have just been something very special to me.
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I remember my childhood names for grasses and secret flowers. I remember where a toad may live and what time the birds awaken in the summer -- and what trees and seasons smelled like -- how people looked and walked and smelled even. The memory of odors is very rich.
I vividly remember my sixth-grade classroom. I remember what it smelled like, where I sat, what I could see out the window, and how I felt about things. Peel away my decrepit middle-aged exterior, and an important part of me is still twelve years old. It helps me when I sit down to write stories for kids.
I got a chance to get an actual label. I performed this slow song, this ballad I have. I just remember going to the first woman I saw in the room and just getting on my knees holding her hand just singing. And I was like, you know what, I got to just sell it. I remember that day they were like, yo we want to sign you. [After] I went into the bathroom, I started crying, [and] I called my mom. I was like momma – I did it.
When I listen to Airplanes record, it takes me back. I remember a lot of my thought processes when I was 20 or 21, writing those songs and recording that record. I wonder what I was thinking when I was trying to say a particular thing. I hear some of the weird little nuances in the recording; I can hear what the room sounded like. I remember what it smelled like. I can remember sitting up in guitarist Chris Walla's bedroom and for the first time in my life having this realization like, "Maybe I can do this. Maybe I can make music that in some capacity people will enjoy and come see me play."
I remember one particular moment (I don't actually know how old I was, but I guess around 7 or something like that) when I remember actually weeping. I was by myself in a room in the house, and I was just crying because I realized how much Jesus loved me.
I always think back to that first night in Brooklyn, where I debuted, and it was this total surprise. I just remember thinking, 'I hope they care. I hope they remember me.' The way they embraced me that night, I knew it was the start of something special.
I remember when I was - I must've been 17 or 18 years old - I remember 'The Empire Strikes Back' had a big cliffhanger ending, and it was, like, three years before the next one came out.
My first beauty moment was when I was probably four years old. My sister and I snuck into my mom's room and got into her makeup. We put on blush and lipstick and eyeshadow. I will always remember that day.
What's funny is my mom took me to the theater for the first time when I was six years old, and I was just amazed by it. I just said, 'Hey Mom, can I do this too?' And so she signed me up for little theater classes, and I remember my first audition for a play when I was seven years old was for 'The Thankful Elf.'
I don't remember the first time I won. I remember the first time I lost, and it sucked. It was go-karts; I was, like, 6 years old.
I've been playing one way or another since I was about three years old. I don't remember not knowing how to play any instruments.
I got into politics when I was eight years old. Six years now. And I got involved because I started listening to talk radio. It goes back to one event. The Democrats filibustered something in the Senate when I was eight years old. I don't remember what it was on and I didn't honestly care when I was eight years old. I cared about the history and the Senate rules.
Everyone, young and old, was responding to [Frank] Sinatra. So, the first time that I physically remember, it was as a youth. He always seemed to be there, let me put it that way. I can't remember the exact first time, but I can remember the effect his voice had on me.
It started when I was eight years old. I first heard the cello on the radio, and I loved the sound. It was such a magical, beautiful sound. I dedicated my entire childhood to cello, practising like crazy.
Even our early audiences were very polite. It felt like playing in our living room. I remember the audiences changing in front of me. I remember that distinctly. The way they wore their clothes became different. We got a lot of leather jackets with studs. People's hair changed. The whole look was just a sublime move.
I remember somebody had said to me "What're you doing with a movie like Boiler Room? It's all men and you're a woman. You should be making romantic comedies," or something like that. Boiler Room, for me, was a morality tale. I remember this interview where they said to me "Yeah, but all the characters are men," and I was like, "But I'm a girl, I like men!" It's not like there's nothing interesting to me just because a lot of characters in that movie happen to be male. Just because I'm a girl doesn't mean I only wanna make Must Love Dogs over and over again.
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