A Quote by Michael Ball

Les Mis' was an amazing experience, to be in the original cast of 'Les Miserables,' and 'Chitty Chitty Bang Bang' God bless it that was fantastic, at the London Palladium the biggest theatre in London the most successful show that has ever been at the London Palladium, that was fantastic.
I spent my 40th birthday on the stage of the Palladium in 'Chitty Chitty Bang Bang.'
I look back at my childhood, and the films that I remember the most are things like 'Mary Poppins,' 'Chitty Chitty Bang Bang,' 'Willy Wonka and the Chocolate Factory,' 'To Kill a Mockingbird.'
I love 'Chitty Chitty Bang Bang' and I love 'Bugsy Malone.' I haven't seen 'Bedknobs and Broomsticks' in a long time, but I remember loving it as a kid.
Only funny line I've had was my first day on the set of Chitty Chitty Bang Bang. They were making me up, and I saw the director call the makeup man over, and he says "What are we going to do about the hooter?" And the makeup guy said, "I'm not a plastic surgeon." So I started that show with a big nose, and quite conscious of it.
'Chitty Chitty Bang Bang' was a movie that I repeatedly turned down. The movie's producer, Albert 'Cubby' Broccoli, known for his tight-fisted control of the James Bond movie franchise, desperately wanted to re-team Julie Andrews and me after the success we'd enjoyed with 'Mary Poppins.'
Traded him for Alec," Clary said. "Not permanently" "No," said Jace. "Just for a few hours. Unless I don't come back. In which case, maybe he does get to keep Alec. Think of it as a lease with an option to buy." "Mom and Dad won't be pleased if they find out." "That you freed a possible criminal by trading away your brother to a warlock who looks like a gay Sonic the Hedgehog and dresses like the Child Catcher from Chitty Chitty Bang Bang?" Simon inquired. "No, probably not.
I saw Alan Davies on a show from the London Palladium and he did a nice routine about having kids or whatever. I couldn't do that.
To do a year and a half on stage at the London Palladium was a buzz that's hard to beat.
In Peter Ackroyd's book 'London: The Biography,' he describes the route of the medieval wall that enclosed the original city. Take the book and follow it from the Tower of London via the Barbican to Ludgate Hill. You experience the real history of London.
It's fantastic to see 'Les Miserables' become the top-grossing film at the U.K. box office.
I remember seeing 'Les Miserables' with the original cast - this was in '87 - and I was blown away by it.
It's incredible how London-centric the theatre world is. Certain actors won't travel away from London anymore for work; practitioners often aren't taken seriously enough unless their work is seen in London; and it's sometimes very difficult to get national critics to review shows - especially if there's a clash with a London press night.
When I was little, I saw the play 'Les Miserables' on Broadway, I thought it was the most amazing thing I have ever seen.
In London I have been by turns poor and rich, hopeful and despondent, successful and down and out, utterly miserable and ecstatically, dizzily happy. I belong to London as each of us can belong to only one place on this earth. And, in the same way, London belongs to me.
Sometimes, I'd take shots without aiming, just to see what happened. I'd rush into crowds - bang! bang! ... It must be close to what a fighter feels after jabbing and circling and getting hit, when suddenly there's an opening, and bang! Right on the button. It's a fantastic feeling.
It was a complete no-brainer. Literally, the call came through: Andrew Lloyd Webber wanting to offer you, with no audition, The Wicked Witch of the West at the London Palladium - I'm in!
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