A Quote by Michael Ball

I got involved in the Surrey Country youth theatre which led me to go to drama school where I realised that this was going to have to be my career, and I was really lucky to get big breaks early on.
I found myself at Cambridge, loved my course, and met these amazing people who got me heavily involved. I presumed I would have to go to drama school, but I did a play with my uni friends, who were doing lots of pub theatre in London, and through that met my agent. She said 'Don't go to drama school. I'll get you a job' and two weeks later she did.
I always loved drama at school. We had a great drama teacher at my secondary school, and she made drama feel cool. She inspired me, and then I did the National Youth Theatre in London.
I had no idea what I was going to do with my life. But then a lady at the youth theatre asked me if I'd ever thought of going to drama school.
I loved English at school and realised I would enjoy studying plays. I got into Royal Holloway. They had a little studio theatre where we put on plays, and that's what I realised I wanted to do. So from there, I went to the Old Vic theatre school to learn how to do it properly.
I didn't go to university. I studied theatre in high school and worked with Canberra Youth Theatre and The Street Theatre and other theatre organisations in Canberra, and that's how I got my training.
I was always keen to get involved in the school drama productions and was a member of the school choir. I was lucky to have attended schools that took music and drama very seriously and the teachers were just brilliant.
Mum got me involved in every activity under the sun - singing, dancing and drama classes at the Anna Scher theatre school.
I tried to get into the National Youth Theatre and didn't, and I tried to get into drama school and didn't, and then I went to university and was really delighted that I went there. I think having the word 'no' can be quite creative.
I was acting since I was a kid, going to drama classes and being involved in every school play and musical that I could get my hands on, so it was something that was a part of me from a very early age.
Every drama school in the country turned me down, and so I was lucky to study drama at all, even if it was lowly Birmingham University. But even when I came out with my degree, my mother promptly insisted I go straight to secretarial college to have something to fall back on, just in case - which didn't exactly fill me with confidence.
I was very fortunate that a teacher saw that I read a lot and got bored very easily and had a lot of energy, so she said, 'You've got to go to this youth theater.' I joined Manchester Youth Theatre when I was really young, and I just loved putting on and being involved in plays and telling stories.
When I was going through school, I joined the Lyceum Youth Theatre, and that kind of cemented it. Through being in and around the building and watching shows, I realised that there was something I really loved about it, so I went into the stage management side.
If you're big at school, you've really got two choices. You're going to be a target. If you go to school, and you're me, you go, 'Right - I'm just going to make myself a bigger target. My confidence, it will terrify them.' That's how I felt in school.
My parents were so proud when I got a scholarship to go to theatre school - it was unheard of that a coal-miners son should go to drama school.
My parents were so proud when I got a scholarship to go to theatre school - it was unheard of that a coal-miner's son should go to drama school.
I went to theatre school for four years and just wanted to do theatre. I had no ambition to be on TV or to be on camera. I just wanted to go to New York or London and be on stage... I did a lot of theatre in Montreal, got involved in TV in Toronto and then moved to L.A. I hope that film and TV will take me back to theatre.
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