A Quote by Michael Ball
As a performer, once you've understood the genre of musical theatre, you can tire very quickly of the two-dimensional stuff. With Sondheim, it's always a challenge. It's difficult and exhilarating and he's so good on the complexities of relationships and on things going wrong.
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I've always loved musical theatre. I've always been a big kind of closeted musical theatre nerd. I really have always dreamed about being able to do musical theatre.
The joy of painting lies precisely in the challenge of memory and the challenge of translation from the lived experience to the two-dimensional or three-dimensional symbol.
I think the genre of musical theatre, when it started, the pop songwriters of the time were writing the music. I think sometimes when we write musicals now, we keep writing in that same style, as though that's the musical theatre genre... We have to figure out how to tell stories with the music that we listen to now, or we'll lose our audience.
The thing about Stephen Schwartz is that, while it may be difficult to learn - it's a little bit like[Stephen] Sondheim; Sondheim is quite difficult to learn - but, once you have it in you: it never leaves you. It becomes some of your favorite music; it really does.
Repetitiveness is one of the things that's most difficult to get away from in genre pictures, because people come specifically to see certain kinds of things but get disappointed if they're presented in the same way. So to try to find a new way to show old stuff is always the challenge.
Implicit in the activist conception of government is the assumption that you can take the good things in a complex system for granted, and just improve the things that are not so good. What is lacking in this conception is any sense that a society, an institution, or even a single human being, is an intricate system of fragile inter-relationships, whose complexities are little understood and easily destabilized.
When you're hurt very badly in your childhood, the area that it has the greatest effect on is relationships. Once you feel like you can't trust people, once you feel like that they don't care about you, that they're really not going to take care of you, it gets very difficult in relationships.
Relationships can go wrong very simply, very quickly, and when you have children you become more aware of relationships around you.
The goal with me, and the way I challenge myself as an actor, is to go from genre to genre. I like that. A lot of actors always challenge themselves. But for me the challenge lies not only in getting better, but going from drama to comedy to action or whatever the case may be, and having a wide array of movies in terms of my filmography.
The range of genre that we is very diverse, which makes for a fun and multi-dimensional show, but creating something that flows, depending on what kind of vibe the show is going to be [loud dive bar, small theatre, festival] is a bit of an art a haphazard art at times.
It's great when it all comes together in a great musical like 'Sweeney Todd,' when Stephen Sondheim writes songs from heaven, the book is good and the staging is good. But it's very rare when that happens.
If you just say that, look at all the good stuff and you don't acknowledge the toxic stuff, you're wrong. If you're only looking at toxic stuff and don't recognize there's going to be some good stuff if you're for infrastructure or whatever, you're wrong.
To me, most theatre looks ridiculous. I find it very difficult to do. Personally, if I ever try to do serious stuff, I always end up looking like an asshole, so I might as well try and do comedy, because I'm good at that.
The complexities of adult life get in the way of the truth. The great philosophers have always been able to clear away the complexities and see simple distinctions - simple once they are stated, vastly difficult before. If we are to follow them we too must be childishly simple in our questions - and maturely wise in our replies.
Opera is musical theatre, and the music can teach you so much about the theatre. Very often I use musical terms to think about how I comport myself on stage: I employ 'rubati,' 'ostinati,' 'cadenze.' Finding these parallels is very fascinating for me.
Coming out of school, sometimes people can be theater snobs. I only wanted to do theater, highbrow stuff. But what I learned very quickly is there can be good material in every genre.
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