A Quote by Michael Bassey
The stupidity of gossips is that they become frightened when they see your face, and a little word from your mouth makes them vibrate like an electrocuted criminal.
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At early previews, the theater gossips are there, wishing you ill every night. They don't grant you any slack. Agents are in from Hollywood. Your friends are there. People who are going to spread the word-of-mouth. If something doesn't work, everyone will know.
After awhile you realize that putting your actions where your mouth is makes you less likely to have to put your money where your mouth is.
What I try to do is to make your face look like it did when you were younger. I always tell people it's not just about filling in the lines, but re-creating the shape of your face as it was in your early- or mid-twenties. People see the lines as they age but they don't see how their shape is changing. I think it's all about restoring the contours. You can fill in a line and it makes you look a little better, but it doesn't make you look younger.
The word itself creates an empty sensation. Try saying it now. "Why?" Notice how your tongue touches nothing when you form the word with your mouth. Feel the gap, the space inside your mouth, that it creates. The air. It is a place that needs filling. It is missing an answer.
Another thing I also recommend is washing your face with white towels, little white towels instead of your hands. Other towels have dye in them and, with water on them, I just don't mess around with that. This way you're not getting your hands back on your dirty face as you're washing it. You're going to see what's coming off.
I love funny Instagram filters. Where your face changes; your eyes become big, your mouth becomes protruded. I love all of that.
You rebel against your parents until you become them. One day you look in the mirror and you see your father's face.
I would not miss your face, your neck, your hands, your limbs, your bosom and certain other of your charms. Indeed, not to become boring by naming them all, I could do without you, Chloe, altogether.
the only truth is face to face, the poem whose words become your
mouth
and dying in black and white we fight for what we love, not are
Every time your faith is strengthened as you hear the Word, release it through your mouth to receive your miracle, for God’s Word is out to prosper you!
It's not easy to slather your face with oil. It requires a little bit of work to smooth it on and rub it in. You become more familiar with the feel of your own skin and face.
Each thing has its word, but the word has become a thing by itself. Why shouldn't I find it? Why can't a tree be called Pluplusch, and Pluplubasch when it has been raining? The word, the word, the word outside your domain, your stuffiness, this laughable impotence, your stupendous smugness, outside all the parrotry of your self-evident limitedness. The word, gentlemen, is a public concern of the first importance.
There are two kinds of visual memory: one when you skillfully recreate an image in the laboratory of your mind, with your eyes open (and then I see Annabel in such general terms as: "honey-colored skin," "thin arms," "brown bobbed hair," "long lashes," "big bright mouth"); and the other when you instantly evoke, with shut eyes, on the dark innerside of your eyelids, the objective, absolutely optical replica of a beloved face, a little ghost in natural colors (and this is how I see Lolita).
I am stuffing your mouth with your promises and watching you vomit them out upon my face.
When you shoot a scene, you remember every moment. You remember when your head went down, your head went up. You don't see little quirks, little eye movements, little lip movements. Once again, you become completely vain when you're watching it in a way that you weren't when you were shooting it. And the vanity, what it makes you focus on are everything that has nothing to do with the scene and everything to do with your own ego.
If you become so frightened of realities that are not your own, if you take upon yourselves tragedies that do not exist in your reality, in your moment, then you weaken your position and weaken the position, of those you think you are helping. You look about you and you see only hopelessness and helplessness. You organize your reality according to the tragedies of the newspapers!
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