A Quote by Michael Beck

To be involved with movies that become kind of cult classics... I've been very fortunate. 'The Warriors' is certainly a cult classic, and 'Xanadu' is, to a certain degree, a cult classic as well.
There is the cult of the actor and of the director, and there's even been the cult of the celebrity chef and gardener, but there has never been a cult of the screenwriter. But I'm happy about that because what I crave - in a completely venal way - is creative opportunities, not recognition.
It is the cult of self that is killing the United States. This cult has within it the classic traits of psychopaths: superficial charm, grandiosity and self-importance ; a need for constant stimulation; a penchant for lying, deception and manipulation; and the incapacity for remorse or guilt.
I've been in a lot of cult movies, but I've been very fortunate to have been involved in projects that people remember.
I was aware, in those early days of motherhood, that my behaviour was strange to the people who knew me well. It was as though I had been brainwashed, taken over by a cult religion. And yet this cult, motherhood, was not a place where I could actually live. Like any cult, it demanded a complete surrender of identity to belong to it.
I like money but I love performance art and it goes hand in hand. I'm not the 'Titanic,' I'm 'The Rocky Horror Picture Show.' I'm not a blockbuster, I'm a cult classic. I think my strong but cult-like fanbase expects me to challenge norms.
I don't think it takes much for a cult to be a cult. Many parts of our society are cultish, and you only need a charismatic leader and some teachings, and before you know it, you have a cult.
I feel like sometimes, when I talk about 'Transparent,' I'm in a cult. And in some ways, I guess I sort of am, although it's a cult that pays me, and I don't pay it, so maybe that's a really good cult.
I'm still asked a great deal about 'The Wicker Man' because it's become one of the great cult movies of all time. That's the story of my career, really, making cult movies. And I've always said it's the best film I've ever made.
A good cult delivers on its promises. A good cult nourishes the needs of its members, has transparency and integrity, and creates provisions for challenging its leadership openly. A good cult expands the freedoms and well-being of its members rather than limits them.
I would say that Jesus Christ and his followers were a cult, Buddha and his followers were a cult and Mohammed and his followers were a cult. Every religion starts out as a cult and if it becomes 'box office', it is accepted.
I did a film called 'Black Dynamite' that was very, very funny. That seems to be a film that's kind of a cult classic.
The quickest way to detect a cult is to sniff for doublethink. The cult seeks control over its membership not by providing a coherent theological system but by providing the opposite: an unstable theology infinitely malleable to the needs of the cult's top echelon and uninterpretable at all times to anyone below that level.
Homeland Security was rejecting, is rejecting terms like Jihad. They don't want to use terms like Jihad or Sharia, because they feel that alienates the youth in terms of propagandizing. However, an imam can talk about the killing of gays. To fight a cult, which is, this is the cult, you have to use the terminology of the cult, because how else can you explain what the cult and its practices are?
I used to make all my clothes when I was in Southern Death Cult [the first incarnation of The Cult]. I still make things to wear on stage and I am involved with sketching, choosing fabric, cutting.
'Hook' became a cult classic without all the lore.
The original 'Scream' is one of those classic things, but it totally pokes fun at itself too. It's never taking itself too seriously, which is why I think it's such a cult classic.
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