A Quote by Michael Berryman

Yeah, it's fun to be somebody you're not, to bring a character to life. — © Michael Berryman
Yeah, it's fun to be somebody you're not, to bring a character to life.
I try to give each performance my own soul, to bring a truth to my character. Hopefully, when I bring that much truth to a character, it resonates with somebody, and it sparks some kind of emotion in them.
Just being the first person to bring the character to life is really fun and exciting.
Even if a story has nothing to do with my life, if I can recognise something of myself in the character and think, 'Oh yeah, that's what I'd do...' Yeah, that's what I look for.
Yeah, 'Feed the Dog' is just a really fun, teenage movie with Nat Wolff and Selena Gomez and all these other great people. It's just so silly-funny, and my character's super-fun.
You want to try and bring a character to life in an honest a way as you possibly can. It doesn't matter whether he's a doctor, an actor, a car salesman or a captain of a starship. If you can bring truth and honesty to that character, then your audience will believe you.
I like doing what I do, but I like having the opportunity to do different things, and obviously comedy would be a fun jump. I've just been lucky enough to stay working. In my case, playing intense roles or playing character roles is something that people will hire me for, but yeah, I'd like somebody to think I'm funny. I guess we all do, right?
I spent a lot of time playing in miserable places that were not a lot of fun. Somebody once said it is character building and I was like: My character is just fine.
I don't care if you hate me or if you like me, as long as somebody gives me a character that is really a character to play. It's fun to be able to have a character and have a director that can direct you into a character. I'm just so happy that I got a good role. I don't care if it's bad or if it's good, and I don't care if it's drama or comedy. They are just so rare to come across.
When you are writing, you have to love all your characters. If you're writing something from a minor character's point of view, you really need to stop and say the purpose of this character isn't to be somebody's sidekick or to come in and put the horse in the stable. The purpose of this character is you're getting a little window into that character's life and that character's day. You have to write them as if they're not a minor character, because they do have their own things going on.
I was a teenager and it was tough years for me. Being able to bring myself into a character and live in somebody else's world was so important for me emotionally. I couldn't express things well in my normal life. I was so overwhelmed by my emotions.
My only job as an actor is to try and understand the character and, to the best of my ability, bring this character to life.
'Ray Donovan' was all fiction and pure fun, to be working with such greats as Liev Schreiber and Jon Voight. My character was recurring, but my storyline was intricate to the whole thing. With the character that I played, I got to go through all aspects of my instrument. I got to bring it to tears and to laughter.
Casting is everything. Getting the person that you imagined is this character and then seeing what they bring to it.That's why you hire them, so why tell somebody first what it is you want? I'm more curious to see what they bring to it and then be inspired by it and say: "OK, what if you tried this?" or "What would happen if ... ?"
There is something, yeah, I mean traditionally it's more fun to play bad guys than it is good guys and when you're playing a bad guy, yeah, the fun in it is to see how scary you can be, how horrible you can be. And it's surprising what you come up with.
Writing from a character is really fun - sometimes you can be more honest through somebody else's perspective.
I can work inside the boundaries of Erika Murphy, or whoever the character is. It's fun to create somebody that's not you, that doesn't exist.
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