A Quote by Michael Biehn

I am much more involved in the filmmaking experience on Mag Seven. I'm much more involved in story elements, casting decisions, the writing of the show, the blocking of the scenes.
We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
I like the feeling of making things. It's very very rewarding. And filmmaking is that type of experience, where you're forced to collaborate with so many people. You're involved in the beginning to end, you're involved with so many elements, and when it's done, you're like, 'I made this movie.'
The more kids are involved, the more likely they are to eat the food. Getting them involved gets them excited, and kids are much more likely to try something that they were involved in the process of creating because it gives them a sense of accomplishment - kids always love approval.
When I am directing, it is much, much, much, much, much different. I'm a much more practical person in the world, I show up on time, I am very rigorous about scheduling, and I am very focused. But when I'm writing I am just a big, irresponsible mess and I'm just impossible to get in touch with, and I don't spend time with friends.
In Bulgarian I am much more flowery, the sentences are wilder. In English out of necessity I try to be clear and disciplined. I realized by writing in English there is so much more to writing a good story than the style.
Emily Procter getting pregnant changed the show for me. I got so much more involved, which was so much fun! Now I feel like an action figure Barbie.
I am much more aware of making the plot more original, avoiding contrivance, having the story matter much more. I used to think more about symbols consciously. Now I think much more about the story.
I, personally, am trying to get more and more involved with the gay and lesbian movement, very much so.
I'm wearing three hats; I'm acting, producing, and directing. I was very involved in developing the script, too. But to me, that is very liberating. To me, the lower the budget, the more I want to be involved. I want to be more in control of my own destiny when there isn't much money involved, because you don't have the experts who can control your destiny.
I'm really bad writing the chase scenes or fighting scenes. I'm much better for writing, like, a more melancholic or tragic music.
Being a producer and a star of the play was a lot more challenging and difficult than I ever anticipated, but so rewarding. I got to be involved with the writing, the casting.
I've done animated TV stuff, but I'd never done animated film work, which is much more involved and much more labor intensive. The animators are much more meticulous and detailed. It's just been really fun and really satisfyingly creative.
Essentially, the scripts are not that different. Let's say, in literary terms, it's the difference between writing horizontally and writing vertically. In live television, you wrote much more vertically. You had to probe people because you didn't have money or sets or any of the physical dimensions that film will allow you. So you generally probed people a little bit more. Film writing is much more horizontal. You can insert anything you want: meadows, battlefields, the Taj Mahal, a cast of thousands. But essentially, writing a story is writing a story.
We're a show-and-tell generation. People want to see behind the scenes. The more involved and invited they are, the closer affinity they have to your brand.
Jacobitism involved much more than a debate about the merits of a particular dynasty. Men and women were well aware that its success was almost certain to involved them in civil war. And the more politically educated knew that the Stuart Pretender was a pawn in a worldwide struggle for commercial and imperial primacy between Britain and France.
It's hard for us not to be involved with things. When you have so much information and you see so much need, there's too much going on for us not to get involved.
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