A Quote by Michael Bierut
The Nike swash that cost $30 and was designed by a Portland State University art student was probably worth that when she first showed it to them. At that point it had no equity at all. None of the guys commissioning it particularly liked it, they all wanted the Adidas three stripes and they thought that was a good logo.
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I took my first acting classes in Portland at Portland State University and the Portland Actors Conservatory.
Nike is Nike. Adidas is Adidas. I've played in their circuits and stuff like that, but now it's a business. You don't want just product. You're not a kid anymore. You're really trying to get bank. That's about it.
I came up with my natural logo and ya know, just dealing with Nike I was like can y'all put my logo on the shoes and, you know. At that time I think other guys had logos or specific names on the shoe. So they was like yeah - let's rock and roll.
I knew I was different. I thought that I might be gay or something because I couldn't identify with any of the guys at all. None of them liked art or music, they just wanted to fight and get laid. It was many years ago but it gave me this real hatred for the average American macho male.
Nike is obviously more sporty than Adidas. I always associate Adidas with Beastie Boys and Run-DMC.
Just like a house is worth whatever a bank's going to lend against it, an education is worth whatever the bank is going to lend the student to pay the university. So the availability of government-guaranteed student loans has vastly inflated the cost of education, just like it's inflated the cost of housing.
I was a high school student like Picasso. I was a little eccentric, but I had high ideals. I wanted to get along well with girl, but when I met them face-to-face, I acted cold toward them. I was always in the art room drawing, I wanted to attract someone's interest. I thought that if I got good at drawing I might be able to establish a connection with the world.
My wife Victoria Harwood was art director on 'Far North,' and she had designed my student film, 'The Sheep Thief.'
Companies like Nike already use Graffiti as a standard variety in their marketing campaigns and the first people who read Naomi Klein's 'No Logo' were marketing gurus who wanted to know what they shouldn't do.
There were 33,000 missing Hillary [Clinton] emails. Nobody could find them. She claimed she deleted them. She handed over 30,000 to the State Department. They had them. They analyzed them. There are 30,000 she deleted. But people claimed that they had them. Like Kim Dotcom and there were others, that claimed they knew where they were, but nobody could produce them.
When I was young, I wanted to be like the rappers. I remember being in junior high and wanting a fisherman hat and a link because EPMD had one. I wanted to wear Adidas because Run-DMC wore Adidas. As I came into my own, I just wanted to do me.
Gansey could’ve had any and all of the friends that he wanted. Instead he had chosen the three of them, three guys who should’ve, for three different reasons, been friendless.
I liked English and art and did a lot of painting. And for some reason I was good at math, but I wasn't an A student. I really had to work hard to get good grades.
The library was a little old shaby place. Francie thought it was beautiful. The feeling she had about it was as good as the feeling she had about church. She pushed open the door and went in. She liked the cmbined smell of worn leather bindings, library past and freshly inked stamping pads better than she liked the smell of burning incense at high mass.
I think it was around the time of doing those shorts. [Producer] Christine Vachon, I had a meeting with her, and she mentioned the short, this AOL short, and asked if I wanted to do one. And then the next step was the "30 for 30," and again that boosted my confidence enough to decide I'm going to do a feature narrative. And I was supported by my agency, and [producer] Jane Rosenthal has been an exceptional friend, and she produced "All We Had," she encouraged me to do the "30 for 30."
My father was a professor of folklore, and my mother was a teacher until she was married. I had a good relationship with them, and the only argument we had was when I went to university and wanted to go into the theater instead of studying to be a lawyer.
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