A Quote by Michael Bland
I read somewhere that drummers are practically Olympic athletes. I feel pretty good, most of the time. After 38 years, I can't expect much better than that!
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If the Palestinian Olympic Committee or Palestinian Federation provide good facilities to the athletes then maybe I can become better than these Bahraini or Qatari athletes.
Most of the time, I'm fighting guys who are 22 years old, former college wrestlers, athletes, kids who are in much better shape than me. Often people who are much bigger and wider than me. It can be dispiriting at first.
I'm pretty proud of having completed a marathon myself, so I can only imagine the pride that real athletes feel when they are picked for the Olympic or the Paralympic Games.
I think I feel vulnerable most of the time. I feel on guard. I've gotten pretty good at putting my fists down and kind of allowing the world to be, so that I don't feel threatened as much.
When you break a sweat you just feel great. You've got your endorphins going. You feel better. You look better. And if you aren't able to get a workout in, try to find a steam room somewhere. You just look and feel so much better after a sweat.
The same costume will be Indecent ten years before its time, Shameless five years before its time, Outre (daring) one year before its time, Smart (in its own time), Dowdy one year after its time, Ridiculous twenty years after its time, Amusing thirty years after its time, Quaint fifty years after its time, Charming seventy years after its time, Romantic one-hundred years after its time, Beautiful one-hundred-and-fifty years after its time.
I just love writing. It's magical, it's somewhere else to go, it's somewhere much more dreadful, somewhere much more exciting. Somewhere I feel I belong, possibly more than in the so-called real world.
I never need to find time to read. When people say to me, ‘Oh, yeah, I love reading. I would love to read, but I just don’t have time,’ I’m thinking, ‘How can you not have time?’ I read when I’m drying my hair. I read in the bath. I read when I’m sitting in the bathroom. Pretty much anywhere I can do the job one-handed, I read.
I try to make the writing as regular and regimented as possible. I usually get up at around 5 a.m. and read what I wrote the day before. Some of the time, after I read, I think the writing's very good and some of the time I feel embarrassed by what I've written. You have to learn not to pay too much attention to these feelings.
I have a hard time writing. Most writers have a hard time writing. I have a harder time than most because I'm lazier than most. [...] The other problem I have is fear of writing. The act of writing puts you in confrontation with yourself, which is why I think writers assiduously avoid writing. [...] Not writing is more of a psychological problem than a writing problem. All the time I'm not writing I feel like a criminal. [...] It's horrible to feel felonious every second of the day. Especially when it goes on for years. It's much more relaxing actually to work.
There are a lot of young great athletes out there; they're much better athletes than what we were. They're bigger, faster, stronger, unfortunately, there're fewer places to go.
Physically, I feel probably as good as I've ever felt. And I've got as much energy as I ever did. But what you feel after eight years - and I think you'd feel this no matter what, but anytime you have a big transition, it gets magnified - is time passes.
I always feel I'm better known in England than I am here in the U.S. Americans don't read that much, and the French are very good at knowing the names of everybody.
Despite my inability to qualify to qualify in South Africa, I did really appreciate the support I got from the IOC particularly the Olympic Solidarity, members of the ICF, my own National Olympic Committee, friends and athletes from the Slalom Community. When I got the wild card, it was the cherry on the cake that I could not have imagined. It was much more than I expected for myself.
I guess I still feel that way and yet I'm slightly hesitant to insist on that idea, that it "better be fun for the writer." Or rather, that if it is, then the pleasure is a sign that it's good. Maybe I feel I've read that somewhere, other writers saying it, and I just think there is possibly no formula, and I don't like to read an interview with a writer where they just lay out the doxa of what quality is. It can seem brittle to do that.
I don't really feel much more confident than I did the last couple years. I've always felt like I have a pretty good knuckleball. I worked hard to do that.?
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