A Quote by Michael Bolton
It's not quite the Tom Jones show, but yes, I've had undergarments. If I get a bra chucked on stage I'll hold it up so the audience can decide what to think. And I'll usually blame a guy for doing it.
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If I write a cop show, it's not up to me to decide how different it is from 'Law & Order.' I had screenwriters go on and on and on about how their cop show isn't like any other cop show on TV. They made very good points, and it absolutely doesn't matter. It's entirely up to the audience to decide.
Designers have to keep the body in mind all the time. Think of the girl's undergarments: the bra is always key.
I was leaving the hotel to get to the fight when my phone went and someone said 'Hello Ricky, it's Tom'. I said 'Tom who?' and when he said 'Tom Jones' I told him to eff off! I thought it was a wind-up!
I picked 'It's Not Unusual,' and then I did the little hop that Tom Jones does and moved my hips. Tim loved it. He came up to me and said, 'Did you know that I used Tom Jones in 'Edward Scissorhands'?'
I wrote 'She's a Lady' on the back of a TWA menu, flying back from London after doing Tom Jones's TV show. Jones's manager wanted me to write him a song. If I have an idea and I don't have a pad of paper, I'll write on whatever is available. What's the difference? Paper is paper.
When you're doing a show on stage, and they show you a red light, that means you have 5 minutes left. At some clubs, they hold a candle up in the back. That's the worst method. You're up here, and then you see a floating candle. "Oh, no! This place is haunted!" I can't be funny when I'm frightened.
In the stand-up comedy top, there's room for everyone - if you're good, there's room for everyone. You'll put on your own show - no one casts you. You cast your own show as a stand-up comedian. When you get good at stand-up comedy you book a theater and if people show up, people show up. If people don't show up, people don't show up. You don't have a director or a casting agent or anybody saying if you're good enough - the audience will decide.
If you're playing a good guy, you show some darkness. If you're playing a dark guy, you show something different, like humor, that will mix it up and hopefully surpass the audience's expectations. What I'm battling all the time is complacency in the audience. I try to bring a little mystery to what might happen because that engages people more.
I feel like acting is sort of like that: You're getting so many 'no's all the time. It's just a bunch of no's and a couple of cool yes's. And especially with comedy, too, when you're up on stage, doing live shows, you get immediate yes's or no's.
I think as a performer, it can be really great to stand on stage, especially when you have more time, but I do think about the specific people in the audience, how it's hard for them to get up and go to the bathroom, how they chose not to do other things that night and have turned off their phones and everything. So for that reason, I think it's necessary to mix it up and talk to the audience.
I love the stage - the fact that you only have one take to get it right, the interaction with the audience, and how every show is different even though you're doing the same thing.
When you see Robert Englund in a movie, you think he is the bad guy, but if I'm not the bad guy, and I'm supposed to just kind of fool the audience, it makes it a lot easier for whichever actor is the bad guy. So I find myself doing a lot of those, I think they're called red herring characters, faking out the audience.
I think the idea of having the show divided into two parts was that Tom Tom Club opened for Talking Heads in Europe, and it was the best we'd ever had as an opening act.
I would never discredit anyone that is working their way up on a show like "American Idol." I think they work so hard overcoming all of the obstacles to get on the show in the first place and then every week they are judged in front of all of America... I give them complete credit for getting up on stage... I think they deserve all the success that they get.
When I'm on stage, I turn into this rock person. I give everything I have. I sing with emotion, I'm loving it up there, and I think there's a lot of energy. In the same way that I'm open when I speak, I'm that open on stage. I feed off the energy of the audience too, so they're feeling what I'm feeling. And the set up is great - I have two drummers and a bass guy so it's just us four.
I still find it interesting that there could be a point between a young guy and a girl when they decide to hold hands as they walk down the block. At some point, they decide to make the leap from pushing and insulting each other to doing something tender and possessive and showing the world that.
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