A Quote by Michael Bolton
When you have great songs that are going to live longer than the composers, everything you can do to bring those different elements and nuances out, serve the song
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When you have great songs that are going to live longer than the composers, everything you can do to bring those different elements and nuances out, serve the song.
I'm not beholden to the public, and neither are the public beholden to me or my songs. I'm very much of a populist on those terms, I believe that the song is no longer mine anyway. I like to process the dispossession that happens when you play something live. I don't have a clue as to how these songs are going to plan out, whether they're going to be on a record. I don't know yet.
If there is a blues song, it just goes in one ear and out the other. But other than that, if it stays with you and when we are all 90, we're going to look back at those songs, and it's going to be emotional. And when someone plays it, and you know it, and you're going to go, "I know that song and I love it."
Here's some free advice; like the folkies of yore, you need to be not just a writer of songs, you need to be a lover of songs, a listener of songs and a collector of songs. If you hear a song in a club that knocks you out or you hear an old recording of a great song you never knew existed, it does not diminish you to record it; it actually exalts you because you have brought a great song from obscurity to the ear of the public.
I'm a touring artist - I love going out and playing live, and I was sick of making records didn't translate well live - that misrepresented who I was as an artist. I'm not saying those records weren't good. I think they're great. I think a lot of them have great songs. My challenge was making the songs that were specifically great for the type of personality I wanted to present which was my personality - I wanted to get that across on record - and have something that was fun and energetic live.
I always try to write the best song I can in the moment, and those songs are often going to end up on Death Cab for Cutie records. I don't set out to write a solo song or write a band song. I just write, and where that songs ends up is kind of TBD.
I've got a collection of songs that I've had, I keep adding to and they're all great American composers. I wanted to showcase American composers and I've done that on a lot of my records and played things by American composers that I really respect.
If you're trying to be realistic and bring real life to the screen, you are going to have different elements. That's what I'm trying to do. As I make the movie, different elements come in naturally.
Everybody tends to overplay live. That's just the nature of playing live. And that can be great, but it can also kill something that's special, and intimate, about a recorded version of a song. You find out very quickly which songs you can play, and which songs you do damage to by playing them live.
Many composers are asked to come up with three great songs in ten days... But it's rare for us to pull that off. You cannot force the brain to make a great song and I'm very scared of doing bad work.
When I do uptempo songs, I like to bring in the funk and world music and different elements.
I am a person that believes in different emotions with music. Music can bring about different vibes on the field, off the field, urban life, going to church, leaving church. Everything the world may bring, there's a song for it to put you in the right frame of mind.
I think great songs can come from anywhere and you constantly have to be able to look out for those. I think a lot of the times people will try too hard to write everything themselves and therefor miss out on great songs that way.
I live by the business model that there is a better than, a less than, or a different than. Those are the three categories. I chose to be different than. The one that's different than will stand out with the proper work ethic.
Britain is a great country. We can more or less say what we like, and we can walk down the street without anyone trying to kill us. I know it's tough for some people, but generally we live in a caring society. We live in a great country, but we're no longer a great power. Part of the problem with some elements of the European debate is that they hanker for the days when we were a great power. Those days are gone, and they went a long time ago.
I try to make everything I write a little bit different. Those songs that go, 'I love you so much and you love me,' they're boring. If I'm going to write a love song, it's going to be a little bit tortuous.
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