A Quote by Michael Bolton

I still get butterflies. It's because there's a certain level of responsibility you carry when doing a concert. You've got to sound at least as good as the record. — © Michael Bolton
I still get butterflies. It's because there's a certain level of responsibility you carry when doing a concert. You've got to sound at least as good as the record.
The first record was basically a quick, fast record. The second record, we were going for more of a poppier sound - like a heavy pop sound. For 'Rocket to Russia,' we'd sort of reached our pinnacle. We'd gotten really good at what we were doing, so that's like my favorite record - that's a really good record. It's just great from beginning to end.
In a certain respect, in a movie, you inevitably have a lot of people doing a lot of different jobs because that's the only practical way to get it done. When you make a record, you can still be an auteur, because you can make a whole record without anyone's help if you want.
There's certain countries that you can't get in if you've got a criminal background record. There's certain jobs in the States that you can't get because you've got a criminal background record. That follows you the rest of your life... and that's something you have to deal with the rest of your life.
When you hear a large symphony orchestra. for instance, in a concert hall, there's a big, sweeping sound that just doesn't get on to a record.
When I produce someone's record I have to remember it's their record..no matter what I bring to it..er, sometimes that's not too easy:) It is a responsibility made less easy by people I work with encouraging me to play guitar on their record...A soon as I start playing guitar on someone's record it inevitably starts to sound like me...not always a good thing.
People get to a certain age and success that they stop being curious. I'm still curious because I haven't really had that success. I've never done a record to catch whatever the latest sound is. It's my love of music, eclectic-ness, and the music that I heard my entire life that seeps in. That's what you're hearing.
For instance, if you're playing a record with drums - horns would sound nice to enhance it so you get a record with horns and slip it in at certain times.
We know how to work certain toys, and if you've got something in your head you know how to get in on tape, even if it's got an abstract sound to it. We are kind of producers as well as a band, so we're a self-contained unit. We can produce our own record as well as write it.
It needed to be in the public record that no matter the size of the disaster, no matter the level of our compassion, that we have a responsibility to get emergency help to people the right way, but we also have a responsibility to be prudent in our planning.
It's always been difficult to make a good record. To be perfectly honest with you, it's really about the person that's pushing the buttons. No matter what type of equipment you have, you still have to have a certain talent to be able to make a good record.
I know a lot of bands that will make their first record and get to a certain level, and then when the second record comes out, they can start where they left off as a headlining act playing in front of a certain number of people, or they can go back out and make a lot less money and open for people.
Consistency is a huge thing at the top. It's hard to get to a good level, but once you get to a certain level, there's people who want your place.
Players sometimes don't want to have this heavy weight on their shoulders to carry the team or to get asked in certain situations to have that responsibility.
If you get a certain amount of notoriety for doing something, and you can stick to that type of project for the rest of your life and make a decent living, I think you still have a responsibility to stretch. Flexibility is what keeps you alive.
For me, my rule in this industry is I've got to listen to my butterflies. So if I got butterflies, then those are the scripts I go after.
You have to have a sound that inspires you to play because, if not, you won't be able to make the sound you have work. You won't be able to make magic with it if you're not happy with it, so it's important that you at least please yourself to the level where you can just relax and be an artist.
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