A Quote by Michael Bolton

To sing along with Stevie Wonder, you had to make your voice do things it was not accustomed to doing. — © Michael Bolton
To sing along with Stevie Wonder, you had to make your voice do things it was not accustomed to doing.
To sing along with Stevie Wonder, you had to make your voice do things it was not accustomed to doing
Stevie Wonder doing [carpool karaoke] it was a massive turning point because he's Stevie Wonder. Like, there's no one else in the world who can go, I don't really want to do it. And you go oh, so it's good enough for Stevie Wonder but it's not good enough for you?
I think Stevie Wonder could sing the phone book and manage to make me cry.
Stevie Wonder is just one of those guys that completely delivers everything that you want to be true about Stevie Wonder. He's an amazing human being, and the fairytale exists with that man.
'Master Blaster,' by Stevie Wonder, is up-tempo and fun, like Stevie himself. Stevie's always making jokes; he really knows how to put people at ease. He's one of my inspirations, as a musician and a person.
I think I'm more influenced, just in general, not by blues artists, but more by stuff from Curtis Mayfield, Stevie Wonder. Stevie Wonder is probably my biggest musical influence of all. And Donny Hathaway.
Could a person really make a social contribution through music consciously? I mean, beyond making a person happy to hear the song and more making a social contribution consciously through your music? For me, Stevie Wonder is the paragon of that. And I didn't want to be Stevie Wonder, but I did want to do what he does.
If you can sing, you never lose your voice. If you don't know how to sing, your voice goes away because you sing from your throat.
When I do a T.V. show, I hear all these artists in their dressing rooms doing scales - I've never done it because I've never had voice training. What I do to prepare is get in my car and sing along to the radio for about 20 minutes.
I would have loved to sing opera, but I have no voice. I used to sing along with records.
I loved the idea of doing impressions and mimicking and playing around with the spectrum of your own voice. That's what I enjoy most about doing voiceovers. You can be completely unconscious with the rest of your body and just concentrate on doing something with your voice, creating an entire character with your voice.
Stevie Wonder doing 'We Can Work It Out' by the Beatles is one of my favorite records of all time.
I stick to my guns - that's what keeps me going as an artist. Stevie Wonder never changed from what he wanted to do, and each new album that came along was dope.
You are born with a voice. And in a way, you don't choose what you want to sing. It's the quality of your voice that matches a certain repertoire, and that's what you're going to sing.
If you've ever sang in falsetto, you know that your throat is between your voice and your mouth. In a standard voice, you sing from your belly. And when you sing in a falsetto, you're blocking that. It gives it a filter. It gives it a character. It's less revealing.
I live by syllogisms: God is love. Love is blind. Stevie Wonder is blind. Therefore, Stevie Wonder is God. I don't know what I'd believe in if it wasn't for that.
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