A Quote by Michael Brecker

Trombone virtuoso and innovative composer, Papo combines the best of jazz and Latin music to create a genre that is unique and wild. He's redefined Latin jazz! — © Michael Brecker
Trombone virtuoso and innovative composer, Papo combines the best of jazz and Latin music to create a genre that is unique and wild. He's redefined Latin jazz!
My genre of music is very eclectic. I might play some Latin jazz, or just go into a spontaneous jazz thing. That's the thing about coming to one of my performances. Not every show is the same.
Livin' la Vida Loca' is not Latin music. It does not represent Latin music what Jennifer Lopez put out. It's not Latin music. What Enrique Iglesias, it's not Latin music, no? It's Latin artists. There's a Latin artist doing it you could say.
Jazz and Cuba are inexorably tied together; it's not a branch from a tree. Latin music is part of the root of jazz.
I don't think it's my responsibility, but I definitely try to create my own projects that are Latin-based with a Latin crew and Latin cast. I try to give all my characters Latin names whenever I can and make sure that they are of Latin heritage. But that does not work with every project.
Obviously the music I listened to growing up helped create my musical pallet. My parents were into pop, soul, disco, RNB, Latin, jazz and Middle Eastern music.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
I don't listen to a lot of music when I have my free time. But I'll go to a jazz club and have a drink and listen to a good jazz musician. Or sometimes in the morning, if I want to put myself in a good mood, I'll put on some Latin music.
My style of singing is very much Latin jazz meets Latin and a little bit of rhythm and blues. When I do ballads, my fans love it. They want to listen to my classics. They want to party.
I was born in Philadelphia, Pennsylvania, and am a product of a family that were jazz aficionados and also very interested in progressive politics. And so I had a lot of artists and musicians in my home. Lots of Latin music, folk, and jazz and blues, bluegrass-type of stuff. Painters and stuff like that.
You can't make jazz without using certain elements of Latin music.
If I have to be considered any type of jazz artist, it would be New Orleans jazz because New Orleans jazz never forgot that jazz is dance music and jazz is fun. I'm more influenced by that style of jazz than anything else.
"Jazz" to begin with, is a really bad word... all the true musicians that really play jazz, jazz is the worst word for it. Jazz is a process. Jazz is a creative process. It's not so much a genre, but a way of expression.
Jazz flute's funny. And I'm a big Latin music fan, Tito Puente, Tina Cruz, all that stuff.
We tried to make music that had a very diverse collection of genres - jazz, pop, Latin, even the blues. We tried to have a gumbo soup of expressions. We wanted to create music that would have people dive into a pool of artistic beauty and feel good. And I think we have been really blessed.
I was going to say is that I come from a rock background, but also I was super interested in jazz for a long time. I was training to be a jazz musician for quite a while. I never trained to be a classical composer or player, but I did train to play jazz.
To most people, jazz-fusion means this dreadful synthetic jazz-rock thing, this jazz-Muzak, which I detest. They also think of jazz as a specific form of music, while to me it's just the opposite.
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