A Quote by Michael Buble
[Dean Martin ] had this really wonderful rich, authentic, distinct vocal style. His humour in movies [and] the self-deprecation and the coolness he had could overshadow what a marvellous vocalist in the Great American Songbook he is.
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Around 5th and 6th grade I thought Dean Martin was the coolest guy in the world; he was a great singer, had his own television show and acted in movies.
I don't think that either self-deprecation or self-aggrandizement is among the defining qualities of an artist... Beethoven could have been forgiven if his symphonies had gone to his head. Gretchaninoff could also be forgiven if his Dobrinya Nikititch went to his head. But neither one could be forgiven for writing a piece that was amoral, servile, the work of a flunky.
I had no idea that being your authentic self could make me as rich as I've become. If I had, I'd have done it a lot earlier.
Frankie Randall is a consummate performer. He is an exquisite jazz pianist and wonderful singer. I had the great pleasure to work with him on the Dean Martin Show and I'm very proud to call him a friend!
When I played Dean Martin, he was dead when we made the movie but there would have been nothing better than to spend a week with Dean Martin if I could have.
In America, at the beginning of talkies, they pulled Fred Astaire from the theaters and put him on the screen and had all of these great composers write songs for him. They call it the Great American Songbook; I call it the Fred Astaire Songbook because they were written for him.
It's one thing having a great song, but I think for me if you take it to the next level... say you had a guitar and a vocal, and the song was amazing but the vocalist wasn't that great and it just was a guitar and vocal acoustic track, switching that to something like an amazing voice singing the exact same song with the instrumentation being really nice and lush or unique in some way and interesting and diverse... I think it's all about the instrumentation and textures in the sound.
I'm an American songbook guy, though I've got eclectic tastes. I really love the American songbook. I've taken up the ukulele, and so you can play 'Five Foot Two' and Hawaiian music, but you can also do some of the great tunes, like 'You Go to My Head,' 'I Guess I'll Hang My Tears Out to Dry,' 'Taking a Chance on Love.'
My style of music is the great American songbook meets the pop world of the Seventies and Eighties.
I believe [Dean Martin] is underestimated as a vocalist only because it seemed like what he was doing looked easy - but it isn't and it stands the test of time.
The man who became a big influence in my life was Dean Martin. He started my career in Las Vegas. When I came to Las Vegas, he put his name on the marquee: 'Dean Martin presents Engelbert Humperdinck.' And I'm the only one he ever did that for.
What a wonderful sleep it had been! Never had sleep so refreshed him, so renewed him, so rejuvenated him! Perhaps he had really died, perhaps he had been drowned and was reborn in another form. No, he recognized himself, he recognized his hands and feet, the place where he lay and the Self in his breast, Siddhartha, self-willed, individualistic. But this Siddhartha was somewhat changed, renewed. He had slept wonderfully. He was remarkably awake, happy and curious.
My dad, Jack, had a great sense of humour and had a strong impact on me and my humour.
Dean Martin's great-great-uncle, Ebenezer Martin, who said to Eli Whitney, I see the cotton, but where's the gin? Never got a dinner!
Like Hemingway and Faulkner, but in an entirely different mode, Fitzgerald had that singular quality without which a writer is not really a writer at all, and that is a voice, a distinct and identifiable voice. This is really not the same thing as a style; a style can be emulated, a voice cannot, and the witty, rueful, elegaic voice gives his work its bright authenticity.
I've really enjoyed the independent film world. I've had a blast. But, the reality is that I really want to make bigger movies. If I could make movies that carry great characters and great performances and great pathos, and can have an explosion or two, that would be fine with me.
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