A Quote by Michael Buble

I honestly think that it was when the actual voices started to stand up for me. It was the iconic artists like Tony Bennett or Barbara Streisand or Liza Minnelli. When people like that take you under their wing and say in quotations, "He's the next one. He's got my stamp of approval," people trust them.
Arguably, the relationship between Liza Minnelli and Judy Garland is one of the great mother-daughter sagas of all time. Certainly, for certain people, and a lot of them, Liza is the bigger star. Liza is the more kind of viable legend, shall we say. Then there's the other camp, where Judy is the one.
As far as entertainers, I know I'll sound like a cliché but they don't make 'em, like they use to. Barbra Streisand is one of them, also Frank Sinatra and Tony Bennett. The first theater voice I heard on a record was Ethel Merman and again, they just don't make them like that anymore.
Before I got the contract, I'd heard from a lot of people that a contract with a company like Estee Lauder was like a stamp of approval, a stamp of your legit-ness. So getting that was a really big step for me.
I got arrested once on stage in Memphis for looking too much like Liza Minnelli.
The artists who have inspired me the most in my life are the ones who have really had something to say and stand up for. That, to me, is part of being an artist-having the voice to express things that need to be verbalized and brought to light. Unfortunately, I don't think that's a priority for people, because the few artists who do have the nerve to take a stand for what they believe get shut down in a way.
I love performing. I love the people. I sound like Liza Minnelli right now, don't I?
There is a reason that both have had the longevity in their careers that they have had. They have each done very different things throughout their careers and lived really interesting lives. There is a reason why they are up there still. After all, there is only one Barbra Streisand and one Liza Minnelli.
I was 17 or 18 when 'The Twist' came along, and the rest is history. Sometimes I regret it. I would have gotten more into acting. I would have been more of a legitimate performer onstage like Liza Minnelli. But I got so caught up in the dance thing that I never got into theater.
Tony Bennett is an iconic jazz legend.
There are many artists I would like to have the honour to cooperate with. To accompany Barbara Streisand or Paul McCartney or Elton John would be a dream for me as I have a lot of admiration for their voice, their talent and their charisma.
I remember, when I saw the movie of 'Cabaret,' I was amazed by Liza Minnelli: like, 'Wow, that kind of looks like someone I could be similar to.'
I'm from Israel, so America has no limits. I started a record label, and then I started managing other artists, like Liza Minelli.
I loved Queen, Journey, Fleetwood Mac, and people like Barbara Streisand. The thing with me is that classical music was also an inspiration. I took piano lessons at the Royal Conservatory of Brussels for 10 years.
And I think that's a singer's job. You know, to really interpret a lyric. There's an art to it, and I think some people are really great at it, like Tammy Wynette and George Jones and Tony Bennett.
My absolute idols growing up were Michael Jackson and Prince, and so, to get the stamp of approval from someone like Timbaland whom I know that these artists respect, that is a huge feat.
The hope was, people like me got to finally find our place in college or in the actual world. People who understood this told you that high school wasn't the actual world, that it was more like a temporary alternate reality you were forced to believe in for four years. A video game you played, where you could never get to the next level no matter how hard you tried.
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