A Quote by Michael Buble

I think I was annoyed going through the '90s just as a guy who loves music. There wasn't a lot of music for me. Everything was groove driven. We lost the plot with the melody. There's no more melody.
The only form of music is melody, without melody music is not feasible, and music and melody are quite inseparable.
I think it all comes back to the individual. My instrument's just a pile of metal and wood! If you listen to the way I speak I have a lot of rhythm, use a lot of accents. When I'm playing my instrument that concept comes through very clearly. In fact some people who've seen me play have noticed that I'm singing - but it's more that I'm actually speaking. So it's not really about the instrument. But for me, in my thinking, the music is all about the melody. When I compose, 99 percent of the time I start with the melody.
I'm a very melody-driven writer and I have a rule that I don't write anything down because if I can't remember the melody than it wasn't worth remembering. So it's my way to test myself in the studio. When I was a kid I could sing pretty well so melody always made a lot of sense to me.
The melody seems to have gone to the country. The country music seems to still have melody and interesting lyrics. But pop music, you've got to really listen hard to somebody who's doing a good melody and a good lyric.
I think if Unchained Melody does what I think it can do, I think there is an audience out there that would heave a sigh of relief, that finally there is a melody and orchestration, production and a vocalist that is giving them a song that they can just listen to... and not be annoyed by the vocal acrobatics that vocalists seem to think is impressive.
Melody was banned from music by the composers of the avant-garde. I was unique among them in always using and writing melody and so I think this is why I've shared my music, why they can have also pleasure, not only an interesting structure.
With a good melody... music gets me through everything.
There's nothing prettier in the world than a melody. I can get lost in a song with a melody. A lot of times I have, and the song wasn't that good, but I would get lost in that melody, and I'd want to do the song.
I love melody, and that's what I love about pop music. The words can become what they are through a special melody. I learned to play guitar by myself, and writing songs came with playing guitar, so the writing isn't one part and the music something else.
You know, my era of DJing was the 90s. I think that was one of the best eras of music, period. From dancehall to hip hop to rock to pop to R&B to everything. I just like that era of music, so I just listen to a lot of 90s overall but definitely 90s hip hop.
I used to be just a total jazz freak. People used to say, 'Where's the melody? Is there a melody in there anywhere?' Now I let the music follow the song.
Music is creation. In reggae the lyric, the music itself, arrangement, that vibe, such melody - everything within the music moves the people, understand?
I learned so much about music by playing this little, miniature songwriting machine [ukulele], especially about melody. The motto is less strings more melody.
When I first came to London I thought there'd be this amazing music scene, but I was quite let down by how little was going on and how few ideas there were in music. Bands were writing songs that had no melody, and I wondered, why is that, melody is the most important thing in a song. It's the thing that sticks in your head.
In Hungary all native music, in its origin, is divided naturally into melody destined for song or melody for the dance.
Doo-wop is special music to me because it's so straightforward and melody-driven and captures emotions.
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