A Quote by Michael Buble

It's human nature and one day maybe 20 years from now some young kid will come up and people will tell him "my God, you are like a young Michael Bublé. It happened to Harry Connick Jr with the Sinatra thing and now people are saying to me that I am the new Harry Connick Jr. It is a natural thing. I remember hearing interviews with Harry Connick saying "I am not Sinatra, leave me alone, I am different". It's a small thing to deal with.
I'd like to do something with Michael Buble, Harry Connick Jr., Tim McGraw, Justin Timberlake, and Gwen Stefani.
99.9% of the time, the people we see worked for it. People like Morgan Freeman and Harry Connick, Jr. work every day to continue the status that they have.
Some of the best advice I've gotten was from William Hurt and Harry Connick Jr. I've really learned a lot from both of them.
I have been able to stay clear of the Harry Connick, Jr. prank show but have seen the wrath.
If Harry Connick Jr. wants to call me and ask me to join his band, that would be fine with me. I'm happy, but if he calls, I would pick up.
I started off playing by ear, and being around a bunch of musicians and playing in the streets and in the different parades and, then, I got accepted to go to New Orleans Center for Creative Artists ... it's where Wynton Marsalis, Harry Connick, Jr. and all those guys went out.
In every interview, when they would ask me who should be a judge, I would always say Harry Connick, Jr., so I think I had something to do with him becoming a judge! He has a blunt, dry sense of humor. You never know if he's joking or not, and I think that's going to catch a lot of people by surprise.
Kenny G is not real jazz. I don't even think Wynton Marsalis is real jazz. I don't think Harry Connick Jr. is real jazz. If there is such a thing as real jazz, The Lounge Lizards is real jazz, Henry Threadgill is real jazz, Bill Frisell is real jazz, you know?
If the song was upbeat, we'd get out a funky Harry Connick, Jr. album, some Louis Prima big band, or a Bob Wills swing record for inspiration and swing for the fence, hoping to get that 'soundtrack to your life' vibe. And if it was a slow song, we'd go the other way and really make it worshipful.
Well?" Ron said finally, looking up at Harry. "How was it?" Harry considered it for a moment. "Wet," he said truthfully. Ron made a noise that might have indicated jubilation or disgust, it was hard to tell. "Because she was crying," Harry continued heavily. "Oh," said Ron, his smile faded slightly. "Are you that bad at kissing?" "Dunno," said Harry, who hadn't considered this, and immediately felt rather worried. "Maybe I am.
Blimey,” said the other twin. “Are you — ?” “He is,” said the first twin. “Aren’t you?” he added to Harry. “What?” said Harry. “Harry Potter,” chorused the twins. “Oh, him,” said Harry. “I mean, yes, I am.
I'd like to have a kid, but I'd probably get a Frank Sinatra Jr. instead of a Gilbert Gottfried Jr. I'd totally screw up like that.
Dumbledore lowered his hands and surveyed Harry through his half-moon glasses. 'It is time,’ he said, ‘for me to tell you what I should have told you five years ago, Harry. Please sit down. I am going to tell you everything.
Hermione, will you please —” “Don’t you tell me what to do, Harry Potter!” she screeched. “Don’t you dare! Give it back now! And YOU!” She was pointing at Ron in dire accusation: It was like a malediction, and Harry could not blame Ron for retreating several steps.
I am a role model now, young people see what I am at present. People look up to me now I am playing for Burnley and it is frustrating that what happened in the past gets brought up to look like it is the present.
'Tell me one last thing,' said Harry. 'Is this real? Or has this been happening inside my head?' Dumbledore beamed at him, and his voice sounded loud and strong in Harry's ears even though the bright mist was descending again, obscuring his figure. 'Of course it is happening inside your head, Harry, but why on earth should that mean it is not real?'
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