A Quote by Michael Buble
I always felt it was weird, that retro thing where guys showed up in zoot suits and tried to talk as if they were from some other time.
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I've never paid too much attention to what other people have said or to what other people have tried to make me be. I've always just tried to be myself, which is such a weird thing to say.
It's funny, I used to ask guys who were in shape all the time, like Triple H, 'What do you do?' It was hard to get information out of them, and I understand why now. When you take the time and do the research, it's more about what suits you, not what suits everybody.
Vinyl is the real deal. I've always felt like, until you buy the vinyl record, you don't really own the album. And it's not just me or a little pet thing or some kind of retro romantic thing from the past. It is still alive.
In their heyday, the Pet Shop Boys were the Interpol of the Eighties, dressing up to sing really weird pop songs about lust and loneliness in the big city. They're low-pro now, not retro-worshipped in the manner of Depeche Mode, New Order, or The Cure, but you can hear the reason why - these guys are too sad.
Anyone who grew up in the crack era - you know, I grew up in that era - knew that there were also people out - and there are still guys to this day that are out there, you know, obviously drug dealing - but those were the guys who had access and had money. And some of those guys felt responsible to create opportunity for other people and were also aware of the dangers of their work and often aren't really the ones that are encouraging kids to get into drug dealing.
I had some pretty weird fan mail growing up, sometimes from prison and wherever else. Nothing too intense. Some superfans that maybe went a little overboard with gifts and whatnot, expecting something other than what it could be with a kid. That's a little weird. But at the same time, it's like, "Hey, I'm getting free video games. I'm not going to return it if you sent it!" Thankfully we never felt unsafe.
I got along better with the guys than with the girls. Only two girls came up to talk to me. Later I found out they were telling their boyfriends, 'If you talk to her, I'll kill you.' It's always rough with that high school thing.
As a sick kid, I always looked out the window. The objects of my observation were the sun, the seasons, the wind, crazy people, and my grandfather's death. During my long period of observation, I felt that something like poems were filling up my body. They were in some kind of state and condition that made them difficult to render into words. As a university student, I tried hard to write them in Korean. It was at that time that I foresaw my death and the world's death. I think my poems started at that time.
I always tried to play the bad guys as guys who didn't know they were bad guys. There are villains we run into all the time, but they don't think they are doing anything wrong. If they do, they think they are cunning and smart. When people break laws and ethical rules, they justify it in their own terms.
When I was training, I trained with my younger brother Brady. I would wrestle some of my friends, who I had grown up with, which showed me some moves, but it was never a full on match. When I went to competitions, there were other girls, so I always wrestled girls.
When you look at men's fashion magazines, you see a lot of well-groomed guys in suits, but very rarely do you see a lot of guys in drop-crotch and hoods with high-tops. It's coming, though, because guys in suits and short hair are beginning to look like they're from another time.
Some days felt longer than other days. Some days felt like two whole days. Unfortunately those days were never weekend days. Our Saturdays and Sundays passed in half the time of a normal workday. In other words, some weeks it felt like we worked ten straight days and had only one day off.
The other thing that I got back then - the Parker novels have never had much of anything to do with race. There have been a few black characters here and there, but the first batch of books back then, I got a lot of letters from urban black guys in their 20s, 30s, 40s. What were they seeing that they were reacting to? And I think I finally figured it out - at that time, they were guys who felt very excluded from society, that they had been rejected by the greater American world.
I don't think if you asked any of my childhood friends they would say that I had a weird childhood; they might say there weren't a lot of regular rules, the conversations in the house were always very open, dreams were a great thing to talk about, everybody was making something all the time.
The Comedy Store - all three rooms were filled with 800 people in the room. And during that time, all these guys and some women, but mostly guys who weren't funny were doing stand up for a living; they weren't accountants, they were making $30-$50 grand a year on the road, or more.
When I was a kid, some of the guys would try to get me to hate white people for what they've been doing to Negroes, and for a while I tried real hard. But every time I got to hating them, some white guy would come along and mess the whole thing up.
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