A Quote by Michael Buckley
..when the first rubber ball smacked her in the head and made her brains rattle in her skull, she knew that something about this dodgeball game was different
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Whoever has not experienced the pleasure of taking a young lady to her first game of ball should seize the first opportunity to do so. Her remarks about plays, her opinions of different players and the umpire, and the questions she will ask concerning the game, are all too funny to be missed.
She needed to get out of there. Her brains, thankfully, were still safely in her skull, but her emotions were splattered on the pavement.
As he took her hand she saw him look her over from head to foot, a gesture she recognized and that made her feel at home, but gave her always a faint feeling of superiority to whoever made it. If her person was property she could exercise whatever advantage was inherent in its ownership.
She really started to cry, and the next thing I knew, I was kissing her all over - anywhere - her eyes, her nose, her forehead, her eyebrows, and all, her ears - her whole face except her mouth and all.
...the girl longed for a love that could not be ended by death. From the time she was young, she knew that her true love was there, somewhere, living a life that would one day intersect her own. Knowing this made every day full of sweet possibility. Knowing that her true love lived and breathed and went about his day under her same sun made her fears vanish, her sorrows small, and her hopes high. Though she did not yet know his face, the color of his eyes, still she knew him better than anyone else knew him, knew his hopes and dreams, what made him laugh and cry.
Her [Eleanor Roosevelt] father was the love of her life. Her father always made her feel wanted, made her feel loved, where her mother made her feel, you know, unloved, judged harshly, never up to par. And she was her father's favorite, and her mother's unfavorite. So her father was the man that she went to for comfort in her imaginings.
But she did not take her eyes from the wheels of the second car. And exactly at the moment when the midpoint between the wheels drew level with her, she threw away the red bag, and drawing her head back into her shoulders, fell on her hands under the car, and with a light movement, as though she would rise immediately, dropped on her knees. And at the instant she was terror-stricken at what she was doing. 'Where am I? What am I doing? What for?' She tried to get up, to throw herself back; but something huge and merciless struck her on the head and dragged her down on her back.
I knew she was a party girl. The book I liked most on her was called [princess] Margaret: A Life of Contrasts and getting to know her, it was how conflicted her position and her internal life - or self - was. She is so fiercely royal and so fiercely "sister of the queen" or "daughter of the king" because that is her identity and it's all she's ever known. And at the same time she is struggling to push the boundaries and to break away from it, to be different or to modernize the monarchy, to turn it on its head.
I found her lying on her stomach, her hind legs stretched out straight, and her front feet folded back under her chest. She had laid her head on his grave. I saw the trail where she had dragged herself through the leaves. The way she lay there, I thought she was alive. I called her name. She made no movement. With the last ounce of strength in her body, she had dragged herself to the grave of Old Dan.
Deep inside her (ih her harrowed soul) she felt a glowing ember of fury at the man responsible for this. Tha man who had put her in this position. She looked at the pistol lying beside the basin, and knew that if he were here, she would use it on him without a moment's hesitation. Knowing that made her feel confused about herself. It also made her feel a little stronger.
I would play ball with Catherine, and hide and seek: Not a very challenging game in an open meadow, but she was still at the age where she believed that if she shut her eyes and buried her head under a shawl then she could not be seen.
She rested her head against his and felt, for the first time, what she would often feel with him: a self-affection. He made her like herself. With him, she was at ease; her skin felt as though it was her right size.. It seemed so natural, to talk to him about odd things. She had never done that before. The trust, so sudden and yet so complete, and the intimacy, frightened her.. But now she could think only of all the things she yet wanted to tell him, wanted to do with him.
He hadn’t been her first lover or the first boy to give her an orgasm. He hadn’t even been the first she’d loved. He’d been the first to turn her inside out with something as simple as a smile. The first to make her doubt herself. He’d taken her deeper than anyone ever had, and yet she hadn’t drowned.
Part of Clary wanted to lean sideways and put her head on her mother’s shoulder. She could even close her eyes, pretend everything was all right. The other part of her knew that it wouldn’t make a difference; she couldn’t keep her eyes closed forever.
Rebecca held her head high and swanned across the hallway, but as she neared the footman, she could see quite plainly that his gaze was not where it should be. She stopped dead and slapped her hands over her bosom. "Its too low, isn't it? I knew I shouldn't have listened to that maid. She might not mind her boobies hanging out for all to see, but i just can't-" Her brain suddenly caught up with her mouth. She removed her hands from her bosom and slapped them over her awful, awful, awful mouth.
... until Miri could not help it any longer and she laughed out loud. The sound broke the game. Peder looked at her. He reached out, and she thought he meant to grab her straw or perhaps yank her hair as he used to when they were little. But her put his hand behind her head and, leaning forward, pulled her face to his. He kissed her. One long, slow kiss.
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