A Quote by Michael Buffer
I was pretty dreadful on my first night as an announcer as back in those days the scorecards were written in a very strange way so that didn't help and some of the fighter's names were unpronounceable.
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All the songs that were written for that album are just all our first sophomore songs. So they're all from real life. Very sweet and very innocent. I think the theme of the album probably was just that it was our first record. ... Back when we were first making records, you didn't just make the music, you put a great deal of energy into the way it looked, and every word that was written on the whole thing.
The strange thing about my life is that I came to America at about the time when racial attitudes were changing. This was a big help to me. Also, the people who were most cruel to me when I first came to America were black Americans. They made absolute fun of the way I talked, the way I dressed. I couldn't dance. The people who were most kind and loving to me were white people. So what can one make of that? Perhaps it was a coincidence that all the people who found me strange were black and all the people who didn't were white.
I have stood aside to see the phantoms of those days go by me. They are gone, and I resume the journey of my story.’ (David Copperfield) “But all that night he lay awake because the phantoms of those days were not gone. Like the tiny, terrible holes in the prophylactics, the phantoms of those days were not easy to detect—and their meaning was unknown—but they were there.
Unlike some of my other dharma brothers who got names that were very long and obscure, and nobody could remember or pronounce, that they didn't like. They wanted to give their names back, but it wasn't like that, it wasn't transactional. He would name some people and say 'you're married', and then they were married, but you know it wasn't really transactional.
When I first started working on movies as a production assistant, we were shooting 65, 75, 85 days. I mean, granted some of those things were "Godzilla," "Deep Impact," and those kinds of things, but these days it's like 30-35 days or 40-45 days and you just feel like you're humping trying to get everything done. It's like "Move on, move on, move on!" That's not the way to get the best performances or the most interesting shots. You have to constantly balance schedule and quality of work. For me, that's the biggest thing.
And some days, he went on, were days of hearing every trump and trill of the universe. Some days were good for tasting and some for touching. And some days were good for all the senses at once. This day now, he nodded, smelled as if a great and nameless orchard had grown up overnight beyond the hills to fill the entire visible land with its warm freshness. The air felt like rain, but there were no clouds.
I used to have trust with reporters. Give them scoops. Those were the old days. It's very strange, when you give a story and it doesn't come out the right way.
You look back at the '95 season, and a lot of those guys were getting mega minutes. Michael Jordan was out playing baseball. We were still winning, won 55 games I think, so those guys were all very content and happy with the way that things were going that year.
Those were strange days, now that I look back at them. In the midst of life, everything revolved around death.
The Ramones were a great bunch of guys. They were very quiet, very shy. They were a little in awe of the filmmaking process, probably because we started at 7 a.m. I do remember the very first day of shooting, I met them and did the scene in the bedroom where Joey sings to me, and they were all scattered around my bedroom in my little fantasy scene. That was the first scene we shot of the movie. That scene is kind of a strange way to start a movie. "Okay, get undressed, and these weird guys in leather jackets and ripped jeans are going to sing to you."
There were many words that you could not stand to hear and finally only the names of places had dignity. Certain numbers were the same way and certain dates and these with the names of the places were all you could say and have them mean anything. Abstract words such as glory, honor, courage, or hallow were obscene beside the concrete names of villages, the numbers of roads, the names of rivers, the numbers of regiments and the dates.
Whether or not the working class came to Chicago in 1969 in the Days of Rage is not a measure of their commitment to stopping the war or to seeing life in certain way. There were very few of us who were there, and those of us that were had an illusion about ourselves.
When I was a teenager, what I most wanted to read were fantasy novels. Not Tolkien and Malory, but sword-and-sorcery pulp. I craved glowy blue magic, chainmail bikinis, dragons with unpronounceable names.
He was certainly in a confused state. I used to go and visit him in Callan Park. They were really - to me they were the best poets those two writing in those days but it wasn't very encouraging because, well, they weren't getting far were they?
All my kids' given names, the first names, are all from people in my life, and they have my husband's last name. And we were very thoughtful about it.
Those years on the golf course as a caddie, boy, those people were something. They were vulgar, some were alcoholics, racist, they were very difficult people to deal with. A lot of them didn't have a sense of humor.
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