A Quote by Michael C. Hall

Sometimes men present a swagger that suggests a prowess, whether it's sexual or financial. L.A. seems to be a place where trying too hard is almost a given. Some people are unapologetic about how blatantly they represent who they are through what they wear or drive. Subtlety is in short supply.
What some people wanted was sometimes too hard to get, and the stress of trying was sometimes too hard to deal with... Maybe doing well in life was just too hard for some people.
I call it financial impotence, this notion of not having enough money, because it has the same characteristics as sexual impotence. And men will never talk about sexual impotence, no matter how close you are to someone, but financial impotence is an even greater barrier. And, I broke that omerta. I had people walk up to me in the grocery store - Several people, coming up to me and saying, "Gosh. Let me tell you my story." People are so pent up with their sense of financial impotence, that they're dying to get it out!
It's very hard sometimes when you can't crack something or can't solve something and you keep trying and trying and you know it's falling a little bit short. That's very hard, but then when you finally do it, it's very rewarding and the process is good too, I like working with people this way.
Most people take who they are, naturally, as a given, and they're interested in the sexual other, but not in being the sexual other. Most men are interested in women - whether sexually or not is not the question - but they don't necessarily want to be a woman.
For men to focus on controlling women's reproduction to solve a society's problems seems nothing short of mad or, at best, superstitious. But men's superstition or insanity has real and dire consequences for the women who are its object. And states, too, home in on women's bodies, perhaps to create the illusion that men are in control of uncontrollable forces. Indeed, almost all governments try to control women's bodies and regulate their appearance in some way.
It is hard to explain to people now how hard it was being a punk back then [the 1970s]. If you had short hair, didn't wear bell bottoms and walked down the street, chances are some asshole in an El Camino was going to kick your ass.
Living my life socially means there is a swagger to how I dress, walk; it's not about being 'cool,' it's just being me - that's understanding your place and your center - that's what swagger is, and I guess that's where the soul comes from.
I'm not trying to reinvent the wheel with 'Venom.' I'm not trying to go too far to the left or too far to the right. Sometimes I step outside the box and it might lose people a little bit, so this time I'm going straight up the middle. I'm coming with some hard stuff.
People sometimes turn out to be almost the opposite of how they present. It isn't because they're trying to fool you or because they're hypocrites. It's because they badly want to be that thing, and so they'll try to be it.
Man can only be certain about the present moment. But is that quite true either? Can he really know the present? Is he in a position to make any judgment about it? Certainly not. For how can a person with no knowledge of the future understand the meaning of the present? If we do not know what future the present is leading us toward, how can we say whether this present is good or bad, whether it deserves our concurrence, or our suspicion, or our hatred?
It's just very hard to teach a class of students about what has happened in the Global Financial Crisis, how we ended up there and how we got to where we are today, without having some basic, non-trivial understanding of the financial sector, credit, and the banking system.
Men shouldn’t try too hard, or think about what they wear too much. I like when there’s something about a look that throws it off a little – perfection is really imperfect.
I think that I represent people that sometimes don't have a voice because of how they grew up or where they grew up or the options that were given to them. I was able to kick my way out of that, but we have a real class problem in this country, where it's hard to jump classes.
I’m I really working on the right thing, or once I put the solution in place I’m I going to get the benefit out of it, or is this masking some other underlying thing, whether it’s personal or what have you. I mean, I always get to that too because that’s the subtlety of problem selection.
I think I'm scared a lot. I'm scared of almost everything. And I'm constantly trying to work my way through each obstacle, whether it's a present, past, or future relationship.
I am trying to present objects in the simplest way possible, and I don't want to supply too much context.
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