A Quote by Michael C. Hall

I have this dream where Little Chino keeps showing up at my door. I would have to kill him even though I was at home trying to have a nice meal with my family. Every time he (Chino) would come to the door, I'm like, 'you again!' But I was myself (not Dexter) in the dream. I'm rolling my eyes in the dream because it is so absurd. It was like, this is ridiculous because you (Chino) are not even real!
I like Chino more than L.A., to be honest.
I have plenty of dream roles because there is so much I want to do, but my dream year would be to be in a single-camera comedy and then, on my hiatus, film a little low-budget indie drama. That would be a dream 12-month period. A dream role depends on having good material and working with people that I can learn from.
Having a dream, living that dream, losing that dream, dreaming again and then having that dream come true again is one of the greatest feelings ever because I`m stronger.
Having a dream, living that dream, losing that dream, dreaming again and then having that dream come true again is one of the greatest feelings ever because I'm stronger.
I used to dream about him all the time," Sunny whispered to me. "Every night. I kept hoping the Seekers would find him; I missed him so much...When I saw him, I thought it was the old dream again.
When you're dreaming, you don't know it's a dream. You might even interpret a dream in your dream - and then wake up and realize it was all a dream. Perhaps a great awakening will reveal this to be a dream as well.
Ordinarily all desires exist in the second state of consciousness, the dreaming state. Desire is a dream and to work for a dream is doomed from the very beginning, because a dream can never become real. Even if sometimes you feel it has become almost real, it never becomes real - a dream by nature is empty. It has no substance in it.
The one dream I have is to do a musical. I love singing, but most people don't know because I don't sell myself as a musical person. My dream is to play Audrey in 'Little Shop of Horrors' - it would be so interesting to have an Asian Audrey because it's all about achieving the American dream in a sinister, success-driven way.
My family's dream, and my own, was to live in Israel, and our eventual voyage to the port of Jaffa was like making a dream come true. Had it not been for this dream and this voyage, I would probably have perished in the flames, as did so many of my people, among them most of my own family.
When we are little, we always dream, and the first teams that come into your head are those on the world stage for their marketing, their image, their publicity. That makes you dream about how nice it would be to play for Real Madrid, to play for Barcelona.
People come to L.A. because they're chasing that dream of a better life. That's why I came here, because I thought it would be a place where I would find other people like me; people who wanted to write, people who had a dream of being something else. And that proved to be true.
In Chino Hills, everybody is cool with everybody, so I had a lot of friends. My house was kind of the hang out house, where everybody would come over.
There is no Croatian dream. There is no European Union dream. There is no Chinese communist dream, except maybe to get out. But there is and always has been an American dream. And the dream is possible. The dream can become real.
And so even though we face the difficulties of today and tomorrow, I still have a dream. It is a dream deeply rooted in the American dream.
I vividly remember Charles Bronson's face in 'Chino.' The western genre is screaming for a face like that.
My mother, we were a very poor family. When I was a kid, we would be in our little room, and there would be a knock on the door almost every night with a hobo begging for food. Even though we didn't even have enough to eat, my mother always found something to give them.
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