A Quote by Michael C. McMillen
One of the ongoing themes of my work of interest has been the idea of the inevitably of disintegration, of entropy, constant flux of matter, and so I've done a number of pieces that have explored those ideas. In the decline, there's a lot of beauty.
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What I think of as 'freakonomics' is mostly storytelling around an idea - not a theme but an idea. I like ideas much more than themes. Themes are boring. Themes are, 'Wool is back,' but ideas are, 'Why is wool back?'
I love big ensemble shows where there are a lot of things going on and you have to really pay attention because there's a lot of nuanced work and universal themes are being explored.
A culture produces ideas which are being explored, which of interest to that culture at that moment. And I think one of the things a writer can do is to take those ideas and go a bit further with them.
The themes, ideas and the characters from 'Skyfall' can obviously continue on, because it is a franchise, and it is an ongoing story.
The good news for us is the NHL has never been stronger, never been more popular, and that, I guess, has led to a lot of interest being expressed from a number of places, an interest in getting an expansion team, and Las Vegas happens to be one of those places.
Neighborhoods change. In some ways, it's part of the beauty of New York City. It's in a constant state of flux.
While many of my musicals deal with big themes and ideas, I don't intentionally go looking to write shows like that. A story will interest me, and then somewhere along the way, I discover that hidden inside are these epic themes.
Different themes inevitably require different methods of expression. This does not imply either evolution or progress; it is a matter of following the idea one wants to express and the way in which one wants to express it.
Probably 90 percent of the stuff I make has inevitably been done before... Whether it's playing Hamlet, which has been on the go for 400 years, or pieces from the cinematic world that also have been essayed before, I feel released by that.
Productiveness is your acceptance of morality, your recognition of the fact that you choose to live-that productive work is the process by which man's consciousness controls his existence, a constant process of acquiring knowledge and shaping matter to fit one's purpose, of translating an idea into physical form, of remaking the earth in the image of one's values-that all work is creative work if done by a thinking mind.
I've explored a variety of directions and themes over the years. But I think in my painting you can see the signature of one artist, the work of one wrist.
The reason why you do history, and particularly why you do war, is that you want to make sure that in the next war, some lessons were learned. There's a saying: "History doesn't repeat itself, but it does rhyme." Or Ecclesiastes: "What has been will be again. What has been done will be done again." Human nature always superimposes itself - its strength and its frailty over the rush of chaos of ongoing events - and we can perceive patterns and themes and motifs.
Just as the constant increase of entropy is the basic law of the universe, so it is the basic law of life to be ever more highly structured and to struggle against entropy.
I think that, a lot of times, people have this idea that the solar system is entirely explored, that we have sent spacecraft to every planet, we've taken beautiful pictures of everything, and that it's kind of done.
Western Civilization has been in a state of decline since the Edwardian age, say 1910. That was the height of Greco-Roman European civilization. Then there was the First World War. That was the beginning of the end. That civilization has been in a decline ever since. But from the American triumphalist point of view our wonderful electronic revolution is really the forefront of an ongoing wonderful civilization.
Looking at the huge number of transgender women of color who have been murdered since the beginning of the year - that we know of - the number has reached seven or eight at this point, maybe even nine, since the start of 2015. The number of those women involved in sex work is not a piece that gets lifted up in news reports. Sometimes people want to bury that, because they don't want to say anything that might make it seem as though those women were asking for it. We're still living with the idea that sex work somehow marks people as acceptable targets for violence.
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