A Quote by Michael C. McMillen
I like the idea of watching the sun go down in the ocean. I've always felt comfortable about that, I like sunsets. There's something about a westward movement that seems fascinating, although the Irish refer to going West as a metaphor for dying. I see it differently.
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We're living history all the time, in the papers, in the news, you think about stuff and it goes into your brain and you think about it and it comes out somehow. You have an idea; you've heard a phrase, or you're angry, or something disturbs you, or something seems paradoxical to you, you explore that idea, much like a writer would explore maybe an idea through metaphor. Maybe artists use their vehicle to explore ideas, so I think the things that interest me are the kind of idea of continuous change and how nothing stays the same and it's always disintegrating into something more.
Every sunset I witness inspires me with the desire to go to West as distant and as fair as that which the sun goes down. Eastward I go only by force; but westward I go free.
Cirque du Soleil means Circus of the Sun. When I need to take time to reenergize, I go somewhere by the ocean to sit back and watch the sunsets. That is where the idea of 'Soleil' came from, on a beach in Hawaii, and because the sun is the symbol of youth and energy.
I really like those days when I can just wear sweatpants, to be honest. And when I'm actually going to go somewhere, I like to be comfortable and casual. If I'm doing something a little more fashion, going a little bit further. It's about expressing yourself and being comfortable and wearing what you like.
One of the things I like about a character: I always think it's fascinating when a character can turn on a dime and go from one emotion to another. I like watching that.
My best sunsets are always going to be in my home town, San Diego. Watching the sunset from the Pacific knowing that you're sleeping in your own bed, there's something special about that.
Now Ive got this moniker that Im the foot-in-mouth gal, and I keep thinking, In what way? Because I said something you dont agree with? Because I said something you dont like? Im just telling you my opinion. I hate the idea that I cant be honest about how I feel about things because its going to piss somebody off who feels differently. That seems preposterous to me.
Even in my comedies, I don't take anger as a joke. I think anger and laughter are very close to each other, when you think about it. One of the things I like about a character: I always think it's fascinating when a character can turn on a dime and go from one emotion to another. I like watching that.
I've never pursued a role. I always hear stories about actors going after parts and I'm, like, 'How do they do that?' It seems so weird. It seems like a total myth or something.
I started watching so many different types of women, saw all the complexities of them, all the ways and the look and shapes they could be, and I felt it was missing for me in American film. I didn't see anybody I was watching in movies that felt like me. I felt rather tortured and lonely about it.
I like the idea of making films about ostensibly absolutely nothing. I like the irrelevant, the tangential, the sidebar excursion to nowhere that suddenly becomes revelatory. That's what all my movies are about. That and the idea that we're in possession of certainty, truth, infallible knowledge, when actually we're just a bunch of apes running around. My films are about people who think they're connected to something, although they're really not.
One night I couldn't sleep. It was like 2:00 in the morning. I was thinking, 'What can I do?' I'm watching TV. I'm like, 'Let me do something else.' I'm not going to fall asleep for a few hours. What are my hobbies? There was the masturbation option. I skipped that because just knowing my kids are down the hall I felt psychotic. So, I went with watching more TV. I couldn't come up with anything. I was going, 'God, read a book.' Then I was like this, 'Where do I keep the books?' I've got nothing to do but watch TV.
Important days don't look like anything special when they start. Invariably, the sun rises and people wake up. Coffee is swilled and eggs are swallowed. Everybody goes about the business of acting like their lives matter and then, no matter how important the events of the day end up being, the sun invariably sets. The sun rose before the soldiers stormed Omaha Beach on D-Day, and the sun set after Archduke Franz Ferdinand was killed. Sunrises and sunsets are real jerks about putting things in perspective.
I kind of like carbon taxes because we already know how to apply them. We already have apparatus in place. When we talk about these other solutions - like a billion tons of iron filings in the ocean or putting sunshades between us and the sun - they're huge. We have no idea if they will work. We have no idea what their nasty consequences might be. And it's unlikely we can do them anyway.
I like to do every operation the same way on each fly. In the course of tying a batch of flies, I might get an idea on how to do something differently, but try to save it to try out later rather than break my comfortable rhythm. I don't worry about forgetting it. In my experience good ideas stay with you, while bad ones go back to where they came from, and good riddance.
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