A Quote by Michael Caine

That to me is what my idea of film acting should be. There shouldn't be any acting. You should just be watching a real person. — © Michael Caine
That to me is what my idea of film acting should be. There shouldn't be any acting. You should just be watching a real person.
Good acting should be invisible. You shouldn't be aware of the acting. It should feel real.
Although we're acting, and our minds know that we're acting, our bodies don't quite know that we're acting. So even when you're watching someone acting like they're dying, your body has like a true real response to it.
When you're acting you always want to come across as if you're not acting. For me, my take is always to have it feel like you're watching someone on film and that comes with a lot of preparation time.
I don't have that drive to be in this field, climbing up, doing bit parts in movies to make a big movie. But I'm lucky I get to also do acting - it's fun. I should probably just take an acting class on the weekends - that would be enough for me.
Live-action is more fun for me, because you're acting with people. When you do voice-acting, many times you're not even in the room with the person that you're acting with.
You don't have that interaction with the audience when you're acting for film; you're kind of acting in a vacuum. You're acting for a disinterested grip who just wants to reply to his wife about what time he'll be home for dinner. Everyone else on a film set is also there because they're paid to be there. They're not there because they're passionate about what you do necessarily.
I am constantly asked, 'What's the difference between acting in the theater and acting in film?' The only answer I can give is the space - you adapt to the space. But acting is acting.
I have laid a very basic ground rule for myself. I should be a favourite with the audience, they should love me, my role, my acting, appreciate my talent. I don't want to repeat any of my roles, ever.
In acting, one should look at the film in totality. Improvisations should only be made keeping in mind the limits of a character. Always believe in team work.
Acting has helped me understand people, not only because you are acting as a character, but also because you are watching other actors work. That really helps you identify in life when someone is acting, not being true.
My tutor was a film director on the side, and she introduced me to film. She then put me in one of her short films, and it came out of that. That's when I fell in love with the process of making a film. After that, I was about 15 and I was like, "This is what I've gotta do." So, I started taking acting lessons, and then I applied to college to do acting. I got an agent, and it all just happened.
Growing up on Mad Men with so many incredible actors and then going on to other things with amazing people, I never had any formal acting training, but they are all acting schools, basically. Just watching and learning from the best is insane. It's like having an internship and watching all these amazing people doing their work. You just soak it up like a sponge, hopefully.
Acting is acting, whether you do it on TV, film, web, theatre or ads. It depends on the person, time and situation, what the individual wants to choose.
Movie acting is about covering the machinery. Stage acting is about exposing the machinery. In cinema, you should think the actor is playing himself, if he's that good. It looks very easy. It should. But it's not, I assure you.
If there is any sense of order to the universe, acting is what I am meant to do. I'm not manufactured. I know acting isn't real, that it's temporary. If there is any theme to the roles I play, it is emotional vulnerability and availability.
I find any sort of acting that doesn't have any humor in it is mind-numbingly boring. 'Serious acting' is the kind of acting that I don't ever respond to.
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